ACL Presents: Americana Music Festival 2016

NASHVILLE, TN - SEPTEMBER 21: William Bell and Bonnie Raitt perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee.  (Photo by Terry Wyatt/Getty Images for Americana Music)

Austin City Limits returns to Nashville for a special broadcast featuring performance highlights from this year’s Americana Honors & Awards. ACL Presents: Americana Music Festival 2016 premieres November 19th on PBS and delivers dazzling performances that represent the genre’s diversity and excellence. The music-filled hour features many of the night’s award-winners and honorees, including buzzed about newcomers and icons who helped define the genre; among them: George Strait, Margo Price, Jason Isbell, Bonnie Raitt, Bob Weir, Alison Krauss, Steve Earle, Parker Millsap, Dwight Yoakam, William Bell and Emmylou Harris & Rodney Crowell.

Recorded live at Nashville’s historic Ryman Auditorium on September 21st, The Americana Music Association’s 15th Annual Honors & Awards ceremony is a celebration of music that is authentic, diverse and original from many genres, both traditional and contemporary. “If you can taste the dirt through your ears, that is Americana,” says Americana Music Association Executive Director Jed Hilly. “It is music that is derived or inspired by American roots traditions.”

Acclaimed singer/songwriter Jason Isbell, who took top honors for Album of the Year and Song of the Year, gives a captivating performance of his “If It Takes A Lifetime,” accompanied by his wife, fiddler Amanda Shires, and band The 400 Unit. Roots giants who died in 2016, Merle Haggard, Guy Clark and Ralph Stanley are honored with one-of-a-kind performances: the show opens with the night’s Lifetime Achievement Award Honoree for Performance, Grateful Dead founder Bob Weir, in tribute to Merle Haggard, performing a rendition of the country outlaw’s iconic “Mama Tried.”  Steve Earle delivers Guy Clark’s classic “Desperados Waiting For A Train,” calling out “See you when I get there, Maestro,” at the song’s close. Roots titan Alison Krauss performs a stunning a cappella version of bluegrass legend Ralph Stanley’s “Gloryland,” joined by stalwarts Buddy Miller, Melonie Cannon and Stuart Duncan.

NASHVILLE, TN – SEPTEMBER 21: Stuart Duncan, Melonie Cannon, Alison Krauss, and Buddy Miller perform onstage at the Americana Honors & Awards 2016 at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. at Ryman Auditorium on September 21, 2016 in Nashville, Tennessee. (Photo by Terry Wyatt/Getty Images for Americana Music)

In true Americana style, the broadcast is loaded with musical moments and collaborations. Legendary duet partners Emmylou Harris and Rodney Crowell, awarded Duo/Group of the year, perform a stirring “Bring It On Home.” Bonnie Raitt, a 2015 Lifetime Achievement honoree, offers a new track, “Gypsy in Me,” backed by gospel greats The McCrary Sisters. She returns to join Stax soul legend William Bell, the night’s Lifetime Achievement Award Honoree for Songwriting, on the slow-burn “The Three of Me,” accompanied by producer John Leventhal on guitar. Honky-tonk maverick Dwight Yoakam delivers a blistering gem from his acclaimed new release Swimmin’ Pools, Movie Stars… alongside Stuart Duncan on fiddle.

The genre’s breakout newcomers give show-stopping performances, including the Emerging Artist Award-winner, Nashville rebel Margo Price with her “Tennessee Song.” Americana sensation Parker Millsap performs a powerful “Heaven Sent” from his critically-acclaimed Album of the Year-nominated release, joined by standouts Sarah Jarosz and Aoife O’Donovan on backing vocals.  Chart-toppers The Lumineers light up the stage with a new song, “Angela.” Emerging Artist nominees Nathaniel Rateliff & The Night Sweats perform “Wasting Time,” showing the full range of the Americana spectrum.  

King of country music George Strait, performs his signature, “King of Broken Hearts,” alongside the songwriter, Jim Lauderdale, for a thrilling close. The hourlong broadcast is hosted by Americana kingpin Lauderdale, and performers are backed by a first class house band led by Nashville mainstay Buddy Miller and featuring it-producer Dave Cobb, with Stuart Duncan, Fred Eltringham, Steve Fishell, Matt Rollings, Chris Wood and The McCrary Sisters.

The show was co-produced by High Five Entertainment and its President Martin Fischer and ACL Executive Producer Terry Lickona.

Leonard Cohen 1934-2016

photo by Scott Newton

We at Austin City Limits are greatly saddened to learn of the passing of the great singer/songwriter Leonard Cohen at the age of 82.

Transcending genre, the Montreal native was one of the most unique figures in all of popular music. Many songwriters are credited with bringing literary acumen to their work, usually without any real justification. But for Cohen it’s true – he’d already had a career as a poet and a novelist before turning to music as his main artistic outlet, and he brought his full authorial weight to the songs he recorded. His lyrics reveal a craftsman’s eye, knowing exactly what words to include and what to leave out, and his melodies strip down to support the libretto without becoming forgettable backdrops. While often accused of dwelling too often in the darkness, his songs travel a wide range of emotional terrain, from anger to joy to confusion to, yes, depression, exploring them all with an intellectual’s wit and a poet’s sensitivity. Cohen had a special affinity for navigating that mysterious space between the sacred and the secular – unsurprising for this grandson of a rabbi and follower of Buddhism. His ability to blur the lines between the sensual and the divine highlighted the truth in unbridled passion and the grace in a sense of wonder – not for nothing did Cohen once claim he “Came So Far For Beauty.”

Cohen had a special connection to Austin. On the 1979 tour captured on the live album Field Commander Cohen, he used the Austin jazz fusion group Passenger as the core of his road band, and guitarist Mitch Watkins, keyboardist Bill Ginn, saxophonist Paul Ostermayer and, especially, bassist Roscoe Beck would be off-and-on staples of his backup groups from then on. (Longtime backing singer Julie Christensen also did time in Austin prior to joining Cohen’s troop.) Perhaps it was this connection that led to his decision to make his major U.S. television debut on Austin City Limits. Recorded on Halloween night in 1988 and broadcast in 1989, Cohen’s hour-long episode was and is one for the ages, a tour-de-force of songcraft and performance that has become one of our most beloved and requested shows.

“Leonard was not much aware of ACL until his Austin friends and cohorts convinced him to do the show,” remarks Executive Producer Terry Lickona. “The band played a late show in L.A. the night before and took the red-eye straight to Austin, arriving just in time for rehearsal. They were all wearing the same clothes (Leonard never did change), and his only request was for a bottle of tequila, which the band easily dispensed with. The show was mesmerizing, as was the reaction from viewers who had never heard or seen anything quite like him. Leonard told me some years later that that Austin City Limits performance ‘saved his career in America’ at a time when he had all but been forgotten.”

Cohen returned in 1993 in support of his trailblazing record The Future. The maestro was so pleased with the results he included two of the songs on his 1994 concert record Cohen LiveWe’re honored to have these two classic appearances to document his unforgettable legacy.  You can watch the first one below. 

 

My Morning Jacket and Ben Harper bring big rock to ACL’s Season 42

photo by Scott Newton

Austin City Limits showcases two of modern rock’s best live acts: My Morning Jacket and Ben Harper.  The longtime fan favorites make return appearances armed with new material in a must-see installment as part of ACL’s Season 42.

My Morning Jacket return for the first time in nearly a decade for their third Austin City Limits appearance, highlighting songs from their last two studio albums, The Waterfall and Circuital.  The Kentucky indie-rockers, five-time Grammy Award-winners, kick off a blissed-out 4-song set with the title track to 2011’s Circuital.  Charismatic leader Jim James dazzles in a colorful kimono and big sunglasses as the band builds their signature soundscapes, including a tune from The Waterfall, a 2016 Grammy nominee for Best Alternative Album.  Their psychedelic textures expand into a glorious wall of sound for the set-closer “Victory Dance,” as the shape-shifting James prowls the stage with a towel on his head and an electronic sampler around his neck for an epic close.

Ben Harper reunites with his longtime backing band the Innocent Criminals after a seven-year hiatus for his first ACL appearance since Season 35.  Harper and crew deliver a powerful, six-song set featuring classics and new songs from 2016’s acclaimed Call It What It Is.  Opening with the ever-catchy “Steal My Kisses,” the frontman gets the crowd on its feet, then segues into soulful new gems, showcasing his trademark lap steel guitar bona fides.  The socially-charged title track from his latest release has Harper reciting the names of gone-too-soon young black men.  Harper’s show-stopping performance of the take-us-to-church gospel burner “Where Could I Go” leaves both singer and audience overcome from the power of the moment, exposing the painfully honest and self-reflective lyrics that have made Harper a fan-favorite for 20-plus years.

photo by Scott Newton

“Jim James has appeared on the ACL stage in many musical guises, as befits his wildly eclectic virtuosity,” says ACL executive producer Terry Lickona.  “But My Morning Jacket brings him back to ground zero where he is most at home. He’s one of the best at engaging a live audience, and it shows.  Ben Harper is another perennial favorite, always in tune with the times, his fans and his musical muse.  It’s very much like a homecoming for both of them, but more akin to two old friends coming home from long musical journeys to show us what they’ve learned.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an ACL Presents special, featuring the Americana Music Festival 2016.

ACL Season 42 brings Latin grooves with Natalia Lafourcade and Grupo Fantasma

photo by Scott Newton

Austin City Limits presents the contemporary Latin sounds of two of music’s best in show, Natalia Lafourcade and Grupo Fantasma. Mexican superstar Lafourcade performs songs from her Grammy-winning album Hasta la Raíz and powerhouse Latin funk orchestra Grupo Fantasma deliver show-stopping grooves.  

As one of Mexico’s biggest music stars, Natalia Lafourcade’s infectious mix of pop, rock, folk and bossa nova has earned the singer-songwriter multiple international chart-topping albums.  In her Austin City Limits debut, Lafourcade and her backing quintet perform selections from her sixth studio album, the acclaimed Hasta La Raíz, which won universal accolades, culminating in four 2015 Latin Grammys, including top honors of song and record of the year for the title track, and a 2016 Grammy Award (her first) for Best Latin Rock album.  Opening with the title track, an intimate, melodic anthem about holding on to one’s roots, the set showcases her sweet, airy vocals.  Lafourcade reaches back to the catchy “En El 2000,” her 2003 breakthrough radio hit and a song she explained that she’d come to hate due to constant requests for it, but now “we’re friends again.”  She closes out the captivating set with the pretty, bossa nova-influenced gem “Para Qué Sufrir,” a clear fan favorite.   

“I was hooked as a fan when I saw Natalia Lafourcade perform at the Latin Grammys,” says ACL executive producer Terry Lickona.  “She may seem an unlikely Latin superstar, but her sweet voice and personal songs have a way of connecting with her fans and the world around her.”

Austin originals Grupo Fantasma deliver a white-hot, delirious blend of big-band samba, merengue and Latin jams in a powerhouse five-song set.  Formed in 2000, the 9-piece funk outfit first-appeared on ACL in Season 33.  The Grammy-winning funksters continue their decade and a half of magic with danceable, irresistible songs from their new, acclaimed album Problemas, produced by Los Lobos’ Steve Berlin.  Opening with the slow-burning cumbia “Nada,” the crowd is on its feet.  The band is joined by special guests Steve Berlin and renowned saxophonist Karl Denson for “Cayuco,” a sultry mambo torn from the horns and heat of Cuban dance halls.  The group welcomes Los Texmaniacs accordionist Josh Baca and former Grupo founding member Adrian Quesada for the conjunto-flavored “Esa Negra.”  Performing the title track of Problemas, Grupo’s charismatic bandleader Jose Galeano gives dance instructions to the front row.  For the final song, a tribute to the band’s late friend and champion Prince, the 9-piece orchestra swells to 17-pieces. Galeano, at a momentary loss for words, simply remarks “There’s not much we can say.  We’re just gonna play.”  And so they do, 17-strong across the stage, lighting the room aflame with the Purple One’s disco-fied early hit “Controversy.”

photo by Scott Newton

“Kick-ass Latin funk might not be a music genre, but it defines what Grupo Fantasma does,” says Lickona.  “There were 20 musicians blasting and riffing their way through the night, shaking the stage if not the balcony high above! Austin is not usually known for its Latin grooves, but Grupo could change that!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of longtime ACL friends My Morning Jacket and Ben Harper & the Innocent Criminals.

ACL livestreams Parker Millsap taping 11/9

photo by Laura Partain

Austin City Limits will livestream the highly-anticipated ACL debut of Americana sensation Parker Millsap on November 9.  The taping will be livestreamed in its entirety directly from the Austin City Limits stage, powered by Dell.  Fans everywhere can watch the concert on November 9 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.  

With a triumphant appearance on our upcoming Americana Music Festival special, singer/songwriter Parker Millsap makes his full-set Austin City Limits debut in support of his widely-acclaimed third album The Very Last Day.  The 23-year-old grew up doing congregational singing in church and listening to old blues albums in his room, not realizing that howling like a Delta blues ghost readying the world for rock & roll isn’t how a skinny white boy from Purcell, Oklahoma usually sounds.  Nominated for the top honor of Album of the Year at this year’s Americana Music Awards, The Very Last Day proves an ideal vehicle for Millsap’s message, delivered via gospel-tinged rock & roll poetry. In the midst of a world fond of condemnation as entertainment, Millsap offers open-armed love of people and their stories. Whether he’s singing about the experience of a gay friend, longing for his evangelical father’s acceptance, or as the King of the Underworld wild with passion, his character-driven songs mine deep wells of joy and despair to create gut-punching narratives that are sometimes hellish, sometimes heavenly, and always human. We’re happy to welcome Parker Millsap to his first Austin City Limits taping.

Please join us November 9 on our ACLTV YouTube channel as we welcome Parker Millsap. The broadcast version will air early next year as part of our current Season 42 on PBS.

ACL 42 rocks on with the one and only Iggy Pop

photo by Scott Newton

Austin City Limits presents a Season 42 highlight: an hour with the one and only Iggy Pop. The larger than life icon gives a king-sized performance in his ACL debut, performing a mix of classics and songs from his acclaimed 2016 release Post Pop Depression, his first career solo #1 album.

Bringing new songs to life alongside classics that bookend his storied career, Iggy is joined by the all-star team behind Post Pop Depression: Queens of the Stone Age’s Josh Homme and Dean Fertita and the Arctic Monkeys’ Matt Helders, augmented for the stage with Queens’ Troy Van Leeuwen and indie-rock mainstay Matt Sweeney. Hurtling onstage to open the eleven-song set with “Lust For Life,” the godfather of punk bares his soul and torso in this memorable hour. Shirtless by the second song, the Detroit native performs selections from his first two solo albums, the late 1970s pair of collaborations with David Bowie, The Idiot and Lust for Life, including rarely performed gems “Some Weird Sin” and “China Girl”. A raucous “Funtime” features Josh Homme taking the vocal sung by co-writer Bowie on the original version. Iggy launches into new classics fitting perfectly into his solo catalog, featuring tight, punchy marvels that embellish his earlier work. Displaying his uniquely animated stage presence, the veteran rock ‘n’ roll warrior thrills with several trips deep into the crowd, saying “This is a pretty good job.”

“There’s never been another show quite like this one, and that’s saying a lot!” says ACL executive producer Terry Lickona. “Iggy is an ageless, timeless, human dynamo, and he took command of the stage, the cameras, the whole building. This show captures the essence of what makes Iggy Pop the godfather of punk rockers.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring Latin rock and pop powerhouses Natalia Lafourcade and Grupo Fantasma.

Florence + the Machine and Andra Day’s breathtaking hour of ACL Season 42

photo by Scott Newton

Austin City Limits presents a breathtaking hour with two of today’s most inspirational acts: Florence + the Machine in their return appearance and Andra Day in a standout ACL debut.

It’s been over five years since UK hitmakers Florence + the Machine first-appeared on the ACL stage. Now international superstars and one of rock’s biggest live acts, the unstoppable band make a triumphant return with a high-energy, buoyant five-song set. Dynamic leader Florence Welch dances barefoot across the stage performing songs from their recent, chart-topping LP How Big, How Blue, How Beautiful. Her knockout vocals and remarkable rapport with fans captivate throughout as she enlists the crowd as a “hungover choir of angels” for the Grammy-nominated “Shake It Out” from 2011’s Ceremonials, closing with a rapturous performance of the band’s 2009 breakthrough smash, the anthemic “Dog Days Are Over.”

“Florence brings a unique performance art to all of her shows, and she took it to a new level this night,” says ACL executive producer Terry Lickona. “She went out of her way to establish a real connection with her audience, and at times the fans seemed to be as much a part of the show as she was. It’s very magical to watch it happen in real time.”

Rising star Andra Day dazzles with her unique mix of R&B, soul and jazz in her first ACL outing, performing songs from her Grammy-nominated debut Cheers to the Fall. A singer with astounding vocal range, she showcases her powerhouse vocals in a stellar, four-song set. The performance turns topical as Day addresses the events of the Orlando tragedy (her taping was the same day) and dedicates her anthem of resilience “Rise Up” to the victims and their families. In a raw, emotionally cathartic moment, she asks the audience to join her in song sending healing energy in the hopes that the families might feel some comfort. Closing with a cover of Queen’s “I Want It All,” altering the original’s rock arrangement into a pleading blues ballad, the song brings the singer to her knees and the audience to their feet.

photo by Scott Newton

“It was the day of the Orlando tragedy, and emotions were already running high,” says Lickona. “Andra’s powerful performance reminded us all that music can be a universal healer and a force for good. When she sang ‘Rise Up,’ there was hardly a dry eye in the house.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the ACL debut of Iggy Pop.

New tapings: Parker Millsap, CeCe Winans and Alejandro Escovedo

photo by Laura Partain

Austin City Limits closes out a remarkable Season 42 on a high note with the final artist tapings: Parker Millsap on November 9, CeCe Winans on November 20 and Alejandro Escovedo on November 30.  St. Paul and the Broken Bones will also tape a show on November 20, as previously announced.

Following a triumphant appearance on this year’s Americana Music Festival special, singer/songwriter Parker Millsap makes his Austin City Limits debut in support of his third album The Very Last Day. The 23-year-old grew up doing congregational singing in church and listening to old blues albums in his room, not realizing that howling like a Delta blues ghost readying the world for rock & roll isn’t how a skinny white boy from Purcell, Oklahoma usually sounds. The Very Last Day proves an ideal vehicle for Millsap’s message, delivered via gospel-tinged rock & roll poetry. In the midst of a world fond of condemnation as entertainment, Millsap offers open-armed love of people and their stories. Whether he’s singing about the experience of a gay friend, longing for his evangelical father’s acceptance, or as the King of the Underworld wild with passion, his character-driven songs mine deep wells of joy and despair to create gut-punching narratives that are sometimes hellish, sometimes heavenly, and always human. We’re happy to welcome Parker Millsap to his first Austin City Limits taping.

Part of gospel’s first family the Winans, CeCe Winans is the best-selling female gospel artist of all time. The Detroit native made her performing debut with her brother BeBe in 1982 as part of the PTL Singers. The pair launched their career as a duo in 1987, releasing bestselling albums that earned them gold and platinum albums, three Grammy awards, nine Dove awards and numerous hit singles on the R&B charts. CeCe began her solo career in 1995 with the Grammy-winning platinum album Alone in His Presence, scored a top 10 single in “Count On Me,” a duet with close friend Whitney Houston, and has continued to have an impact on gospel and R&B music ever since. She comes to the ACL stage bearing latest single “Never Have to Be Alone,” as well as new songs from a forthcoming record to be released in 2017. We’re thrilled to welcome the great CeCe Winans to her first Austin City Limits, where she will share the stage with dynamic Alabama soul outfit St. Paul & the Broken Bones.  

photo by Nancy Rankin Escovedo

Veteran Austin singer/songwriter Alejandro Escovedo returns to our stage in support of Burn Something Beautiful, his twelfth solo album. Recorded in Portland with R.E.M.’s Peter Buck and the Minus 5’s Scott McCaughey as co-writers and producers, Burn Something Beautiful is at once a celebration of the rock & roll life, a contemplation of mortality and a tribute to the healing power of love. The project coalesced beautifully with the help of an esteemed group of musicians who give the album a band feel, including ACL vets Steve Berlin (Los Lobos), Kelly Hogan (Neko Case), John Moen (the Decemberists) and Corin Tucker (Sleater-Kinney). Connecting repeatedly with his soulful heart and voice at its core, Burn Something Beautiful is Alejandro Escovedo at his very best. The San Antonio native is, of course, no stranger to ACL – he has been on the show four times previously, starting as a member of Rank & File when they appeared on the show in 1983. We’re thrilled to welcome back Alejandro Escovedo.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.