ACL livestreams Parker Millsap taping 11/9

photo by Laura Partain

Austin City Limits will livestream the highly-anticipated ACL debut of Americana sensation Parker Millsap on November 9.  The taping will be livestreamed in its entirety directly from the Austin City Limits stage, powered by Dell.  Fans everywhere can watch the concert on November 9 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.  

With a triumphant appearance on our upcoming Americana Music Festival special, singer/songwriter Parker Millsap makes his full-set Austin City Limits debut in support of his widely-acclaimed third album The Very Last Day.  The 23-year-old grew up doing congregational singing in church and listening to old blues albums in his room, not realizing that howling like a Delta blues ghost readying the world for rock & roll isn’t how a skinny white boy from Purcell, Oklahoma usually sounds.  Nominated for the top honor of Album of the Year at this year’s Americana Music Awards, The Very Last Day proves an ideal vehicle for Millsap’s message, delivered via gospel-tinged rock & roll poetry. In the midst of a world fond of condemnation as entertainment, Millsap offers open-armed love of people and their stories. Whether he’s singing about the experience of a gay friend, longing for his evangelical father’s acceptance, or as the King of the Underworld wild with passion, his character-driven songs mine deep wells of joy and despair to create gut-punching narratives that are sometimes hellish, sometimes heavenly, and always human. We’re happy to welcome Parker Millsap to his first Austin City Limits taping.

Please join us November 9 on our ACLTV YouTube channel as we welcome Parker Millsap. The broadcast version will air early next year as part of our current Season 42 on PBS.

ACL 42 rocks on with the one and only Iggy Pop

photo by Scott Newton

Austin City Limits presents a Season 42 highlight: an hour with the one and only Iggy Pop. The larger than life icon gives a king-sized performance in his ACL debut, performing a mix of classics and songs from his acclaimed 2016 release Post Pop Depression, his first career solo #1 album.

Bringing new songs to life alongside classics that bookend his storied career, Iggy is joined by the all-star team behind Post Pop Depression: Queens of the Stone Age’s Josh Homme and Dean Fertita and the Arctic Monkeys’ Matt Helders, augmented for the stage with Queens’ Troy Van Leeuwen and indie-rock mainstay Matt Sweeney. Hurtling onstage to open the eleven-song set with “Lust For Life,” the godfather of punk bares his soul and torso in this memorable hour. Shirtless by the second song, the Detroit native performs selections from his first two solo albums, the late 1970s pair of collaborations with David Bowie, The Idiot and Lust for Life, including rarely performed gems “Some Weird Sin” and “China Girl”. A raucous “Funtime” features Josh Homme taking the vocal sung by co-writer Bowie on the original version. Iggy launches into new classics fitting perfectly into his solo catalog, featuring tight, punchy marvels that embellish his earlier work. Displaying his uniquely animated stage presence, the veteran rock ‘n’ roll warrior thrills with several trips deep into the crowd, saying “This is a pretty good job.”

“There’s never been another show quite like this one, and that’s saying a lot!” says ACL executive producer Terry Lickona. “Iggy is an ageless, timeless, human dynamo, and he took command of the stage, the cameras, the whole building. This show captures the essence of what makes Iggy Pop the godfather of punk rockers.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring Latin rock and pop powerhouses Natalia Lafourcade and Grupo Fantasma.

Florence + the Machine and Andra Day’s breathtaking hour of ACL Season 42

photo by Scott Newton

Austin City Limits presents a breathtaking hour with two of today’s most inspirational acts: Florence + the Machine in their return appearance and Andra Day in a standout ACL debut.

It’s been over five years since UK hitmakers Florence + the Machine first-appeared on the ACL stage. Now international superstars and one of rock’s biggest live acts, the unstoppable band make a triumphant return with a high-energy, buoyant five-song set. Dynamic leader Florence Welch dances barefoot across the stage performing songs from their recent, chart-topping LP How Big, How Blue, How Beautiful. Her knockout vocals and remarkable rapport with fans captivate throughout as she enlists the crowd as a “hungover choir of angels” for the Grammy-nominated “Shake It Out” from 2011’s Ceremonials, closing with a rapturous performance of the band’s 2009 breakthrough smash, the anthemic “Dog Days Are Over.”

“Florence brings a unique performance art to all of her shows, and she took it to a new level this night,” says ACL executive producer Terry Lickona. “She went out of her way to establish a real connection with her audience, and at times the fans seemed to be as much a part of the show as she was. It’s very magical to watch it happen in real time.”

Rising star Andra Day dazzles with her unique mix of R&B, soul and jazz in her first ACL outing, performing songs from her Grammy-nominated debut Cheers to the Fall. A singer with astounding vocal range, she showcases her powerhouse vocals in a stellar, four-song set. The performance turns topical as Day addresses the events of the Orlando tragedy (her taping was the same day) and dedicates her anthem of resilience “Rise Up” to the victims and their families. In a raw, emotionally cathartic moment, she asks the audience to join her in song sending healing energy in the hopes that the families might feel some comfort. Closing with a cover of Queen’s “I Want It All,” altering the original’s rock arrangement into a pleading blues ballad, the song brings the singer to her knees and the audience to their feet.

photo by Scott Newton

“It was the day of the Orlando tragedy, and emotions were already running high,” says Lickona. “Andra’s powerful performance reminded us all that music can be a universal healer and a force for good. When she sang ‘Rise Up,’ there was hardly a dry eye in the house.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the ACL debut of Iggy Pop.

New tapings: Parker Millsap, CeCe Winans and Alejandro Escovedo

photo by Laura Partain

Austin City Limits closes out a remarkable Season 42 on a high note with the final artist tapings: Parker Millsap on November 9, CeCe Winans on November 20 and Alejandro Escovedo on November 30.  St. Paul and the Broken Bones will also tape a show on November 20, as previously announced.

Following a triumphant appearance on this year’s Americana Music Festival special, singer/songwriter Parker Millsap makes his Austin City Limits debut in support of his third album The Very Last Day. The 23-year-old grew up doing congregational singing in church and listening to old blues albums in his room, not realizing that howling like a Delta blues ghost readying the world for rock & roll isn’t how a skinny white boy from Purcell, Oklahoma usually sounds. The Very Last Day proves an ideal vehicle for Millsap’s message, delivered via gospel-tinged rock & roll poetry. In the midst of a world fond of condemnation as entertainment, Millsap offers open-armed love of people and their stories. Whether he’s singing about the experience of a gay friend, longing for his evangelical father’s acceptance, or as the King of the Underworld wild with passion, his character-driven songs mine deep wells of joy and despair to create gut-punching narratives that are sometimes hellish, sometimes heavenly, and always human. We’re happy to welcome Parker Millsap to his first Austin City Limits taping.

Part of gospel’s first family the Winans, CeCe Winans is the best-selling female gospel artist of all time. The Detroit native made her performing debut with her brother BeBe in 1982 as part of the PTL Singers. The pair launched their career as a duo in 1987, releasing bestselling albums that earned them gold and platinum albums, three Grammy awards, nine Dove awards and numerous hit singles on the R&B charts. CeCe began her solo career in 1995 with the Grammy-winning platinum album Alone in His Presence, scored a top 10 single in “Count On Me,” a duet with close friend Whitney Houston, and has continued to have an impact on gospel and R&B music ever since. She comes to the ACL stage bearing latest single “Never Have to Be Alone,” as well as new songs from a forthcoming record to be released in 2017. We’re thrilled to welcome the great CeCe Winans to her first Austin City Limits, where she will share the stage with dynamic Alabama soul outfit St. Paul & the Broken Bones.  

photo by Nancy Rankin Escovedo

Veteran Austin singer/songwriter Alejandro Escovedo returns to our stage in support of Burn Something Beautiful, his twelfth solo album. Recorded in Portland with R.E.M.’s Peter Buck and the Minus 5’s Scott McCaughey as co-writers and producers, Burn Something Beautiful is at once a celebration of the rock & roll life, a contemplation of mortality and a tribute to the healing power of love. The project coalesced beautifully with the help of an esteemed group of musicians who give the album a band feel, including ACL vets Steve Berlin (Los Lobos), Kelly Hogan (Neko Case), John Moen (the Decemberists) and Corin Tucker (Sleater-Kinney). Connecting repeatedly with his soulful heart and voice at its core, Burn Something Beautiful is Alejandro Escovedo at his very best. The San Antonio native is, of course, no stranger to ACL – he has been on the show four times previously, starting as a member of Rank & File when they appeared on the show in 1983. We’re thrilled to welcome back Alejandro Escovedo.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

Robert Plant returns to Austin City Limits for Season 42

photo by Scott Newton

Austin City Limits presents a thrilling hour with Robert Plant in an unforgettable performance marking the legendary frontman’s return to the ACL stage for the first time in more than a decade. The career-spanning set features Led Zeppelin classics alongside more recent songs in an episode that will delight die-hard fans and music fans everywhere.  

From the opening riffs of Led Zeppelin staple “The Lemon Song,” Plant commands the stage with his dynamic presence and iconic vocals. Backed by his world-class six-piece band the Sensational Shape Shifters, the rock superstar performs Zeppelin classics, including “Black Dog,” and an electrifying version of “Babe I’m Gonna Leave You.” Plant artfully mixes new and old, captivating the audience with songs from throughout his fascinating musical journey, including the blissed-out reverie of early solo smash “In The Mood” and recent standout “Rainbow” from 2014’s acclaimed lullaby and…The Ceaseless Roar. With his multi-cultural, diverse band, the icon explores the connection between rock ‘n’ roll and traditional African music, revitalizing fan favorites with West African instruments to glorious effect. Closing out the set with an explosive performance of the face-melter “Whole Lotta Love,” Plant weaves blues standards “I Just Want to Make Love to You” and “Hey! Bo Diddley” into the classic, demonstrating the epic scope of his illustrious career.

“Robert Plant is one of the few artists from any generation who can stand the test of time while always exploring, experimenting, and expanding his musical horizons,” says ACL executive producer Terry Lickona. “Yet there’s a common thread of genius through all his music, from the earliest Zeppelin tunes to his newest work. Then there’s that voice! We are truly honored to have such a legend return to our stage for a second time.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of Florence + the Machine and the debut of Andra Day.

James Bay and Rhiannon Giddens debut in ACL Season 42

photo by Scott Newton

Austin City Limits features two breakout talents making their ACL debuts—James Bay and Rhiannon Giddens—in a highly-anticipated new installment.  

UK sensation James Bay opens the hour with a stunning, soulful performance featuring songs from his global chart-topping debut Chaos and the Calm.  The 26-year-old singer-songwriter-guitarist has had a banner year earning multiple 2016 Grammy nominations, a BRIT Award win for Best Male Solo Artist, and landing on festival stages including Glastonbury, Lollapalooza and namesake ACL Festival.  In his Austin City Limits debut Bay proves why he is one of today’s biggest live acts, delivering a stellar four-song set highlighted by a powerfully acoustic, stirring rendition of his standout “Let It Go,” and breakthough smash “Hold Back the River.”

Americana sensation Rhiannon Giddens gives a spellbinding performance in her ACL debut, with selections from her widely-acclaimed 2016 Grammy-nominated release Tomorrow Is My Turn.  The album marks Giddens’ solo debut after a decade as a founding member and leader of the award-winning string band the Carolina Chocolate Drops.   Taking the stage barefoot, Giddens dons a banjo to open her dazzling set with “Spanish Mary” (lyrics by Bob Dylan).  The North Carolina native’s canon includes songs that deal with the struggles of slaves in the 19th century, including the Odetta classic “Waterboy” and the chilling “At the Purchaser’s Option,” a Giddens-penned number inspired by a 19th century advertisement for a slave and her baby.  She then enlists guitarist and fellow Drops’ bandmate Hubby Jenkins to join her on vocals for the gospel classic “Children, Go Where I Send Thee,” before closing out the powerful set playfully with the romantic putdown “Louisiana Man.”

photo by Scott Newton

“Fans have been telling us for years they love to tune in to discover new talent they’ve never seen or heard before,” says ACL executive producer Terry Lickona.  “This show offers a double-bonus for fans of deeply personal, heartfelt songs and singers who possess a distinctive voice.  James and Rhiannon may come from cultures an ocean apart, but their music resonates with audiences worldwide.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring the return of Robert Plant.

Paul Simon shines in first episode of ACL Season 42

photo by Scott Newton

Austin City Limits launches a new season of must-see performances from music’s finest with an icon of American popular music, Paul Simon, in his first-ever appearance on the ACL stage. The living legend shines in a sublime, career-spanning hour featuring beloved classics and new songs from his acclaimed recent album, Stranger to Stranger.

Making a rare television appearance, Simon sparkles in an irresistible performance filled with career highlights from his over five-decade strong musical legacy. Backed by a world-class nine-piece band, the music legend opens an eleven-song set with selections from Graceland, his landmark 1986 album that brought African rhythms to mainstream American radio. A lifelong sonic adventurer, Simon takes viewers to Louisiana Cajun country for a joyful performance of “That Was Your Mother.” Simon also showcases new classics from 2016’s acclaimed Stranger to Stranger, his 13th solo album, including standouts “Wristband” and “The Werewolf.” Simon’s showmanship is on full display throughout as he dazzles the ACL audience with non-stop gems from his extensive catalog, including early solo hit “Me and Julio Down by the Schoolyard” and a stripped-down, countrified “Homeward Bound.” He dips back into his Graceland songbook for “Diamonds On the Soles Of Her Shoes,” and a show-stopping “You Can Call Me Al,” engaging the crowd in hand-clapped rhythm. Simon closes with one last classic, “The Sound of Silence,” in a potent solo acoustic rendition of the Simon & Garfunkel standard that first introduced his immense talent to the world a half-century ago.

“Paul Simon is one of those rarities among the icons of contemporary music: he just keeps getting better,” says Austin City Limits executive producer Terry Lickona. “He continues to amaze with new songs that display his musical curiosity and sense of adventure, while bringing a fresh energy to songs that have been such a big part of the American songbook for so many decades. As an admitted long-time ACL fan, he was perfectly at home on our stage, and it shows!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another brand new episode featuring James Bay and Rhiannon Giddens.

New taping: St. Paul and the Broken Bones 11/20

photo by David McClister

Austin City Limits is pleased to announce a new taping with rising soul/rock stars St. Paul and the Broken Bones on November 20.    

Formed in 2012 in Birmingham, Alabama, the sextet hits the ACL stage in support of its new album Sea of Noise. Recorded in Nashville with producer Paul Butler (Michael Kiwanuka, Devendra Banhart), the LP is a successor to the Broken Bones’ 2013 debut album Half the City, which introduced the group’s blazing mating of ‘60s soul fire – daubed with latter-day influences like Sly Stone, David Bowie, and Prince — to frontman Paul Janeway’s impassioned singing and writing. The new album witnesses a deepening and broadening of the unit’s musical reach and lyrical concerns, including strings arranged by legendary Stax Records arranger Lester Snell and words influenced by Tom Waits, Nick Cave and Bryan Stevenson’s book Just Mercy. The album’s lyrical and emotional richness is heard loudly in stunning new compositions like “Burning Rome” (which Janeway describes as “a letter to God, if I could write it”) and the startling “I’ll Be Your Woman,” which knocks traditional soul music gender roles on their heads. Of the finished work, Janeway says, “Sea of Noise is not quite a full-blown concept record. It is focused in terms of subject matter – finding redemption and salvation and hope.” Hot off gigs opening for the Rolling Stones and a slot at this year’s Austin City Limits Music Festival, St. Paul and the Broken Bones brings their take-no-prisoners live show to our studio for what promises to be a memorable ACL debut.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.