New taping: Cyndi Lauper

photo by Chapman Baehler

Austin City Limits is pleased to announce a new taping with a pop culture icon: the one and only Cyndi Lauper. We’ll be taping this special performance on Friday, Sept. 9th.

The New York native scarcely needs any introduction. She’s a two-time Grammy-winning, multi-platinum selling singer and songwriter with a string of instantly recognizable hits: “True Colors,” “She Bop,” “I Drove All Night,” “Change of Heart,” “Time After Time” and, of course, the immortal “Girls Just Want to Have Fun.” She’s also a recent Tony-winning Broadway composer for the smash musical Kinky Boots as well as an Emmy-winning actress for her role on Mad About You. Her current project, however, blazes a new trail. Detour, her eleventh album, takes an unexpected Southern turn, as Lauper puts her signature spin on a dozen country classics. Detour showcases Lauper’s unmistakable voice on tunes from the 40s, 50s and 60s, and features guest performances from some of country music’s finest: Vince Gill, Emmylou Harris, Alison Krauss and Willie Nelson. She recorded the album in Nashville alongside a band comprised of the city’s top session players. “When I was a really young kid, country music was pop music, so this is what we grew up listening to,” Lauper says. “These songs are part of some of my earliest memories.” Magnet calls the record “a great showcase for Lauper’s vocal range and prowess,” while Uncut asserts that “she flexes both empathy and interpretive might.” People says “that New Yawk spunk and those frisky, agelessly girlish vocals are…even more charming when paired with a steel guitar’s whine.” Lauper will showcase both Detour and her catalog of hits in an ACL performance sure to be one for the ages.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

New taping: Ben Harper & the Innocent Criminals

photo by Danny Clinch

Austin City Limits is delighted to announce the return of an ACL favorite: Ben Harper & The Innocent Criminals. Revered singer, songwriter and multi-instrumentalist Harper is set to return to the ACL stage on Thursday, September 1st, 2016. Harper will be joined by The Innocent Criminals, who recently teamed with Harper to release, Call It What It Is, their first record together in nine years.

Since his 1994 debut, Ben Harper has amassed worldwide acclaim as a genre-spanning singular talent with an unmatched ability to blend the personal and political. The Innocent Criminals – percussionist Leon Mobley, bassist Juan Nelson, drummer Oliver Charles and keyboardist Jason Yates – reunited with Harper for a tour in 2015, but quickly discovered that he had more in mind than simply revisiting the group’s prodigious collection of hits. In fact, Harper had been quietly amassing material for a new record with his long-time band mates. “I thought we would be more energized and revitalized by thinking outside the box and starting with new material in the studio before we dug into the old stuff,” explains Harper. “It was meant to be a signpost that we’re here to forge new ground musically and personally. Because of that, the older material started to sound brand new too.”

Released via the legendary Stax Records in April 2016, Call It What It Is explores themes of deep cultural and emotional resonance. Plaudits have poured in from around the world. Uncut called the album “a well-honed primer in what Harper does best, fusing blues, rock, folk, country, R&B, gospel and reggae with politically conscious lyrics into a dynamic stew.” And Entertainment Weekly raved, “A welcome homecoming…his most diverse collection in years. Grade: A-.”

“I gave everything I could to it,” says Harper. “To be able to say that we’ve left no stone unturned just feels great.”

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

New tapings: Band of Horses, Margo Price and Foals

photo by Andrew Stuart

Austin City Limits is pleased to announce three new tapings from artists featured at this year’s ACL Music Festival: indie rock staples Band of Horses on Oct. 2, rising country queen Margo Price on Oct. 3 and British alt.rock sensations Foals on Oct. 6.

Returning to our stage for the first time since 2010, Band of Horses is riding a wave that saw their latest album Why Are You OK hit the Billboard 200 chart at #9. The sixth album from the Seattle, WA-born/Charleston, SC-based quintet, Why Are You OK was written in leader Ben Bridwell’s garage in Charleston and recorded with producer Jason Lytle (Grandaddy). The result is a record informed by experience and at the same time retaining the vulnerability that birthed their greatest songs. Creating capsule worlds populated by the strange but true cast of characters from Bridwell’s hometown, Why Are You OK‘s songs combined universal sentiments with Bridwell’s patented knack for storytelling—all wrapped in the lush melodic textures that have long been the bedrock of Band of Horses’ signature sound. Putting a finer point on it, Record Collector calls the album “a shimmering thing of beauty; a fresh summer breeze blowing in full of character and heart,” while The Guardian calls it “beautifully moving…the place where wistfulness and euphoria collide.” Following a triumphant set at Bonnaroo, BoH is taking their intimate show back on the road, playing crowd-pleasing sets that perfectly showcase a band that, as Rolling Stone says, “always find[s] a way to make the mythic feel down to earth.”  

photo by Angelina Castillo

A staple of East Nashville’s thriving music scene, Margo Price has made one of 2016’s biggest splashes with her debut album Midwest Farmer’s Daughter. Price grew up in Aledo, Illinois, and after dropping out of college, moved to Nashville in 2003. She soon met bass player/future husband Jeremy Ivey, and formed a band called Buffalo Clover. They self-released three records and built a local following, but it was personal tragedy that brought Price’s calling into even sharper focus. “I lost my firstborn son to a heart ailment,” Price says, “and I was really down and depressed. I was drinking too much. I was definitely lost. I thought, ‘I’m just going to write music that I want to hear.’ It was a big turning point.” Recorded at Memphis’ legendary Sun Studios and funded by Price pawning her wedding ring and selling her car, Midwest Farmer’s Daughter (released on Jack White’s Third Man label on his personal invitation) adds fresh twists to classic Nashville country, with a sound that could’ve made hits in any decade. From the honky tonk comeuppance of “About To Find Out” and the rockabilly-charged “This Town Gets Around” to the weekend twang of “Hurtin’ (On The Bottle)” and the hard-hitting blues grooves of “Four Years of Chances,” “Price’s sensibility is modern, turning these old-fashioned tales of heartbreak, love, loss, and perseverance into something fresh and affecting,” says All Music. “Price’s excellent debut wastes absolutely no energy trying to address her place in the country-music ecosystem,” says Exclaim, “and gets right to telling us who she is, rather than who she ain’t.” “I hope that the record helps people get through hard times or depression,” explains the artist herself. “That’s ultimately what music did for me in my childhood, and especially in my early adult years. It’s about being able to connect personally with a song, and hopefully, it makes you feel not so lonely.”

Foals have become one of the U.K’s most acclaimed rock acts. Hailing from Oxford, England, also home to Radiohead and Ride, the band formed in 2005, and released their first single the following year. Enlisting Dave Sitek from TV on the Radio as producer, Foals released its full-length debut Antidotes in 2008. The band’s widescreen alternative rock sound reached full flower on the follow-ups Total Life Forever (2009) and Holy Fire (2013), both nominated for the Britain’s prestigious Mercury Prize. All of the band’s success and experience has led up to its biggest and best LP to date, last year’s What Went Down, featuring the hit “Mountain At My Gates.” Uncut called it “their most fully realized yet,” while Exclaim marked it as “a varied and textured offering that will add depth to their high-energy live shows.” “Foals consolidate their position here by continuing to do what they do best,” noted Mojo,”namely expressing big emotions loudly through fizzing rock anger or unbridled, danceable joy.” “It’s unfettered communication,” says singer and songwriter Yannis Philipakkis. “Before, there’s always been that gap between the imagination, the romance and fantasy about what we wanted to create, and the actual reality, and that disparity has been difficult. But on this record, we’re the closest we’ve ever been to the vision in our heads. One thing that we really take pride in is that, through a series of beautiful accidents, we’ve got to the position where there’s no tethering to any preconceived idea of what we should do. So it feels like we can do anything.”

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.

Ralph Stanley R.I.P.

photo by Scott Newton

Austin City Limits mourns the loss at 89 of a true musical giant: Ralph Stanley. The Virginia native was not only a bluegrass titan as a performer, but as an innovator. Along with Flatt & Scruggs, his brother Carter and Bill Monroe, Stanley could lay claim to helping create one of America’s most distinctive musical forms. His high, lonesome singing, virtuoso clawhammer banjo picking and vast repertoire had a tremendous influence on bluegrass, folk, country, gospel and Americana. Though he didn’t write them, Stanley’s renditions of old-timey tunes “Little Maggie,” “Pretty Polly,” “O Death,” “Angel Band” and “Man of Constant Sorrow” (re-popularized by the film O Brother Where Are Thou) made them standards in the American songbook.

“Ralph Stanley was the last of the living bluegrass legends, after Bill Monroe and Earl Scruggs,” remarked ACL Executive Producer Terry Lickona. “Like the others, he invented his own sound, his clawhammer banjo style came straight out of the hills, and his voice sounded like it had been around since the beginning of time itself. He was a gracious gentleman, with a gentle spirit. His appearance on ACL with Bill Monroe in 1986 was historic, a rare performance by the two bluegrass giants. Another important part of America’s musical past is gone.”

Here is Stanley with his Clinch Mountain Boys in 1980 with his signature song “Little Maggie.”

Freddy Powers 1931-2016

photo by Scott Newton

Austin City Limits was saddened to learn of yesterday’s passing of the great Freddy Powers at the age of 84. His name may not be immediately familiar, but his songs are. The Oklahoma-born/Texas-raised “country jazz singer” wrote or co-wrote hits for George Jones (“I Always Get Lucky With You”), Willie Nelson and Janie Fricke (“A Place to Fall Apart”) and, most prolifically, Merle Haggard (“Twinkle Twinkle Lucky Star,” “Natural High,” “Amber Waves of Grain,” “Let’s Chase Each Other Around the Room”). He also co-produced Nelson’s platinum album Somewhere Over the Rainbow, hosted the CableACE nominated talk show Rogers and Hammerhead and appeared with Haggard frequently as opening act and special guest, as well as releasing his own albums. On top of all that, he served a stint in the Marines, was a staple in 1970s Las Vegas and appeared on both The Tonight Show and The Today Show. Having already accomplished more than most in one lifetime, Powers was diagnosed with Parkinson’s disease in 2004, which slowed down his productivity. But he continued to write and perform as long as he was able to sit in front of an audience and entertain. Along with his buddies Nelson and Haggard and co-author Jake Brown, Powers completed his memoirs, entitled The Spree of 83 and due to be published in February 2017.

“Freddy might not have been a household name, but most of his musical buddies were,” says ACL Executive Producer Terry Lickona. “Willie & Merle were two of his closest friends, and they were kindred spirits, musically and personally. He had an infectious passion for what can best be called country jazz, and he had a direct hand in bringing Willie and Merle together for one of the most memorable songwriters shows we ever did, in Season 9. He was also a remarkable songwriter; my favorite was ‘I Always Get Lucky With You,’ which became part of Merle’s repertoire for many years. Freddy’s spirit lives on!”

Powers appeared on Austin City Limits four times: in 1984, 1985, 1986 and 1996. Here he is in 1984 with his pals Willie ‘n’ Merle with “After You’re Gone.”

Grupo Fantasma to livestream 6/28 ACL taping

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Austin’s own Latin funk orchestra Grupo Fantasma returns to ACL this June, and the performance will be livestreamed across the globe.  Fans everywhere can watch the concert on June 28 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.  

Although Austin’s music scene changes constantly and rapidly, one band that endures and continues to evolve is the Grammy-winning Grupo Fantasma, who first appeared on ACL in Season 33 in 2007 and returned for 2015’s Hall of Fame Ceremony.  Last year marked the 15th anniversary of the powerhouse Latin funk outfit’s first show and the release of their widely-acclaimed sixth album Problemas. Longtime favorites of music icon Prince, the band served as his on-call backing band for many years, appearing with the superstar on stages from Coachella to the Golden Globes. Praised as one of the most important independent acts in the Latin genre, they are widely known for their energetic live shows, which NPR describes as “seamless…whenever and wherever they’re on stage.” For Problemas, the nine-piece band decided to break from their DIY tradition of self produced albums. The band approached Los Lobos’ Steve Berlin, someone they knew would be a well-seasoned and sympathetic producer and, as a fan, eager to work with them. Berlin states,”I see Grupo Fantasma as a bar-setter, not just for Latin music but in popular culture. Their effortless ability to shift from being one of the finest Latin bands around to one of the baddest funk bands alive and back is a rare and beautiful thing. The record we set out to make was our effort to codify that idea, and I think we succeeded. These guys are the absolute best at what they do.” This special taping will also include performances from the band’s all-funk alter ego Brownout and founding former member Adrian Quesada.

Please join us June 28th on our ACLTV YouTube channel as we welcome back Grupo Fantasma. The broadcast version will air as part of our upcoming Season 42 which premieres this fall on PBS.

ACL to livestream Andra Day’s 6/12 taping

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Soul sensation Andra Day makes her highly-anticipated Austin City Limits debut this June, and the performance will be livestreamed across the globe, powered by Dell.  Fans everywhere can watch the concert on June 12 at 8pm CT/9 pm ET on ACLTV’s YouTube channel as it happens.  

It’s been a banner year for singer and songwriter Andra Day since the release of her first album Cheers to the Fall: the debut earned two Grammy nominations including Best R&B Album, and she turned heads on this year’s Grammy broadcast with her inspirational song “Rise Up,” which she also performed at the White House.  Known for her standout live performances, Day was handpicked to open for ACL alum Leon Bridges on his global headlining tour, and she’ll be playing 2016’s biggest festivals with her own high-profile slots at Bonnaroo, Essence Festival and ACL Fest this fall.  With a vintage flair and a voice for the ages, Day proves she’s ready to take her place in the pantheon of soulful vocalists and deliver her truth to the world. Her acclaimed debut, Cheers to the Fall, produced by heavyweight soul man Raphael Saadiq, is self-described as “a biography told in the form of music,” with themes centered on truth, fearlessness, vulnerability, forgiveness and love. The Boston Globe says, “This confident, stylish pop R&B record ushers in a sophisticated vocalist who faithfully reflects past influences while remaining contemporary and relevant,” and Vibe raves, “The beauty in Andra’s art is that the message applies to all. All we need to do is listen.”

Please join us June 12th on our ACLTV YouTube channel as we welcome rising star Andra Day. The broadcast version will air as part of our upcoming Season 42 which premieres this fall on PBS.

New tapings: Grupo Fantasma and Hayes Carll

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Austin City Limits welcomes back two true Texas originals: Grupo Fantasma on June 28  & Hayes Carll on August 30.

Although Austin’s music scene changes constantly and rapidly, one band that endures and continues to evolve is the Grammy-winning Grupo Fantasma, who first appeared on ACL in Season 33 in 2007 and returned for 2015’s Hall of Fame Ceremony.  Last year marked the 15th anniversary of the powerhouse Latin funk outfit’s first show and the release of their widely-acclaimed sixth album Problemas.  Longtime favorites of music icon Prince, the band served as his on-call backing band for many years, appearing with the superstar on stages from Coachella to the Golden Globes.  Praised as one of the most important independent acts in the Latin genre, they are widely known for their energetic live shows, which NPR describes as “seamless…whenever and wherever they’re on stage.” For Problemas, the nine-piece band decided to break from their DIY tradition of self produced albums. The band approached Los Lobos’ Steve Berlin, someone they knew would be a well-seasoned and sympathetic producer and, as a fan, eager to work with them. Berlin states,”I see Grupo Fantasma as a bar-setter, not just for Latin music but in popular culture. Their effortless ability to shift from being one of the finest Latin bands around to one of the baddest funk bands alive and back is a rare and beautiful thing. The record we set out to make was our effort to codify that idea, and I think we succeeded. These guys are the absolute best at what they do.” This special taping will also include performances from the band’s all-funk alter ego Brownout and founding former member Adrian Quesada.

photo by Jacob Blickenstaff

“A wry Texas troubadour with a knack for crooked grace and a clever turn of phrase” (New York Times), singer/songwriter Hayes Carll returns for his second appearance, having first graced the ACL stage in Season 36 in 2010. The recipient of two Song of the Year awards, including the Americana Music Association’s for “She Left Me For Jesus” in 2008 and American Songwriter for “Another Like You,” in 2011, the Woodlands native picked up a 2016 Grammy nomination for Best Country Song via LeeAnn Womack’s recording of his “Chances Are.” All of these experiences were just the warm up, however, for Lovers and Leavers, an album Paste calls “the finest of his career.” Produced by Grammy-award winning producer and musician Joe Henry (Glen Hansard, Emmylou Harris, Bonnie Raitt), the 10-track album was recorded live over five days in L.A. during the winter of 2015. Of the album, which was partially inspired by his own life, Carll reveals, “I didn’t have one song that I knew would be a sing along or would make people dance. I felt vulnerable in a way that I hadn’t in a long time. But I got what I wanted – a record with space, nuance, and room to breathe. It felt right for my art. It felt right for my life. Lovers and Leavers isn’t funny or raucous. There are very few hoots and almost no hollers. But it is joyous, and it makes me smile.” The Austin Chronicle calls it “a startlingly personal set of songs, powerfully stripped back from the raucous, clever narratives that have been Carll’s hallmark.” Lonestar Music enthuses that the album “perfectly captures the phases and stages of falling apart, facing the truth, falling in love and facing the fear and finding one’s heart in the process,” concluding that Lovers and Leavers is “tentative, doubtful, shaky, mournful and yes, wonderstruck.

Want to be part of our audience? We will post information on how to get free passes about a week before the taping. Follow us on Facebook and Twitter for notice of postings.