ACL to live stream tapings from Cage the Elephant and Sharon Van Etten

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Austin City Limits is excited to announce that we will be live streaming two highly-anticipated tapings: rock giants Cage the Elephant on 9/27 and indie rock queen Sharon Van Etten on 9/30. Each stream starts at 8 pm CT on our YouTube channel

Cage The Elephant is one of rock’s biggest live acts, and the band makes their ACL debut on the heels of their recently released fifth studio album Social Cues. Produced by John Hill (Santigold, Florence + The Machine, Portugal. The Man, tUnE-yArDs), Social Cues is the follow up to their 2015 GRAMMY®-winning Tell Me I’m Pretty for Best Rock Album.  The acclaimed Social Cues is garnering raves with Rolling Stone calling it “their best album yet” and The Chicago Sun-Times saying “the band has pushed their sonic boundaries further and created their most personal record to date.”  The majority of the material on Social Cues was written during the unraveling of frontman Matt Shultz’s marriage. In order to make sense of such a difficult experience, he explored the hidden recesses of his psyche, creating characters to tell different parts of his personal story. He explains, “when I’m creating, I try to put myself in a reactive state of improvisational thought. I let images just arise in my mind and wait for it to evoke an emotional response and then when it does, I know I’m on to something.” Deeply inspired by punk music, brothers Brad and Matt Shultz began playing music in their Bowling Green, KY high-school with fellow students Jared Champion and Daniel Tichenor. Shortly after forming the band, they made the bold move to London to launch their career. Their self-titled 2008 debut album generated international attention, catapulting them up the Billboard Alternative and Rock charts and achieving Platinum certification. Cage The Elephant has released three additional studio albums – 2011’s Thank You, Happy Birthday, the Gold-certified Melophobia in 2013 and 2015’s Tell Me I’m Pretty. They have had 7 Billboard #1 singles with 11 singles landing in the Billboard Top 10 and digitally have a combined 1.5 billion streams worldwide. Cage The Elephant is lead singer Matt Shultz, rhythm guitarist Brad Shultz, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster.  

Sharon Van Etten’s fifth album, Remind Me Tomorrow, called her “most atmospheric, emotionally piercing album to date” (Pitchfork), comes four years after the acclaimed Are We There, and reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present. “I wrote this record while going to school, pregnant, and working on other music” says Van Etten. Throughout Remind Me Tomorrow, the singer-songwriter veers towards the driving, dark glimmer moods that have illuminated the edges of her music throughout her decade-long career and pursues them full force. With curling low vocals and brave intimacy, Remind Me Tomorrow is an ambitious album that provokes our most sensitive impulses: reckless affections, spirited nurturing, and tender courage. Rolling Stone raves the release “…ups her ambitions even further, pushing toward a grand, smoldering vision of pop.”  Recorded in Los Angeles, the songs on Remind Me Tomorrow have been transported from Van Etten’s original demos through producer John Congleton’s arrangement. Congleton (St. Vincent, David Byrne, Unknown Mortal Orchestra) helped flip the signature Sharon Van Etten ratio, making the album more energetic-upbeat than minimal-meditative. “I tracked two songs as a trial run with John,” she says. “I gave him Suicide, Portishead, and Nick Cave’s Skeleton Tree as references and he got excited. The songs are as resonating as ever, the themes are still an honest and subtle approach to love and longing, but Congleton has plucked out new idiosyncrasies from Van Etten’s sound. For Remind Me Tomorrow, Van Etten put down the guitar. The record shows this magnetism towards new instruments: piano keys that churn, deep drones, distinctive sharp drums. There are intense synths, a propulsive organ, a distorted harmonium.   The New York Times named the record’s first single “Comeback Kid” one of “The 25 Songs That Matter Right Now,” calling it “the song you want to raise up your fists and loosen your hips to.”

Van Etten is earning glowing reviews on her global tour, with high-profile slots at Glastonbury and Lollapalooza. NPR Music raves that her live show is “a grand and magnificent turning point for this talented performer and her band.”  We are thrilled to welcome Van Etten to our stage in her first-ever appearance.

Join us on Sept. 27 for Cage the Elephant here and on Sept. 30 for Sharon Van Etten here for sets by these great artists. The broadcast episodes will air later this year as part of our new Season 45 premiering October 5 on PBS.

New tapings: The Raconteurs, Billie Eilish and Rosalía

photo by David James Swanson

Austin City Limits announces the final tapings of our Season 45, featuring a trio of originals who are highlights of our namesake ACL Festival this year.  We’re thrilled to welcome back GRAMMY® Award-winning rockers The Raconteurs on Oct. 3, returning to our stage for the first time in over a decade, and two breakout artists making ACL debuts: groundbreaking Spanish singer/songwriter Rosalía on Oct. 8 and global pop-phenom Billie Eilish on Oct. 11. 

The Nashville-based Raconteurs—featuring Jack White and Brendan Benson as dual frontmen/guitarists/lead singers/songwriters, and ace rhythm section of Jack Lawrence on bass and Patrick Keeler on drums—return with their acclaimed third studio LP and first new album in more than a decade, HELP US STRANGER (Third Man Records).  The chart-topping album debuted at #1 on the SoundScan/Billboard 200 — the band’s first-ever #1 and their third trip to the top 10. Featuring a cadre of killer songs, HELP US STRANGER sees the mighty Raconteurs reassembled, stronger and even more vital than ever before as they continue to push rock ‘n’ roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together. The band burst onto the scene in 2006 with their now-classic debut album, BROKEN BOY SOLDIERS, winning worldwide acclaim, Grammy® nominations for Best Rock Album and Best Rock Performance and a chart-topping smash single in “Steady, As She Goes,” followed by 2008’s Grammy®-winning CONSOLERS OF THE LONELYHELP US STRANGER is earning numerous shout-outs from national press: “The Raconteurs have made an album of what are, relatively, straight-up bangers…With tune after tune, this third Raconteurs outing is a blast” (The Guardian);  “HELP US STRANGER is Jack White and Brendan Benson’s love letter to classic rock” (Q); “the group’s richest batch of songs to date” (Spin).  Recorded at Third Man Studios in Nashville, TN, the record is proof positive a combo with chemistry like The Raconteurs has no rust to shake off. They are as scrappy, current, steadfast, and captivating as they were when they first joined forces, and their joy of creating together is satisfyingly palpable. Earning raves for their first live shows in eight years, the band return to our stage in the middle of an epic world tour, and we’re thrilled to welcome them back.

17-year-old Billie Eilish has fast become one of the biggest stars to emerge since the 2017 release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout, Billie’s record-breaking double platinum debut studio album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? debuted at #1 in the Billboard 200 in the U.S, as well as in the UK, Australia, Canada, New Zealand, Netherlands, Belgium, Ireland, Sweden, Norway, Finland and many more. It is now the biggest North American debut of the decade (male, female or group), shifting 313,000 units in the first week and has already hit Number 1 in the Billboard 200 album charts an additional two times since its release in March, earning Billie more than 17 billion combined streams worldwide to date.  The LA native recently topped the Billboard Hot 100 with her single “bad guy”, becoming the first number one artist born this millennium. Billie received nine 2019 MTV Video Music Awards nominations and won three including Best New Artist at this year’s VMAs. Billie is the October cover star of Elle, and recently graced the covers of Rolling Stone, Billboard and V Magazine’s 20th Anniversary issue. Earning raves for her powerful live performances with breakthrough slots at 2019’s biggest music festivals, including Coachella, Glastonbury and our upcoming namesake ACL Festival, Billie is currently on her sold-out headlining WHEN WE ALL FALL ASLEEP WORLD TOUR and we are excited to welcome her to our stage in her ACL debut.

Catalonian singer Rosalía’s landmark album EL MAL QUERER was released in 2018 to immediate critical and commercial success. The album’s groundbreaking fusion of classic Flamenco with R&B and electronic beats, coupled with 26-year-old Rosalía’s nod to the visual arts, fashion and choreography was strongly embraced by fans across the globe. The music industry at large took note, with the album’s breakout single “Malamente” garnering six 2018 Latin Grammy nominations, and taking home awards for Best Alternative Song and Best Urban Fusion Performance2019 has seen the groundbreaking Spanish star continue her meteoric ascent to Global stardom with an appearance alongside James Blake on his single “Barefoot in the Park,” and three smash singles of her own with the recent double track “Milionària & “Dio$ No$ Libre Del Dinero,” “Aute Cuture” and her widely-acclaimed, and frequent ‘Song of the Summer’ pick “Con Altura” with Reggaeton superstar J Balvin and featuring El Guincho. The video for “Con Altura” recently earned two MTV Video Music Awards wins including Best Latin Video and is 2019’s most-watched video from a female lead artist (now over 800 million views), reaching #1 on YouTube’s Global music video chart.  An equal factor in Rosalía’s worldwide embrace is her unique and starmaking live performances on her sold out “El Mal Querer Tour,” and across 2019’s top Global festivals – including Coachella, Primavera Sound, Glastonbury, Lollapalooza and many more. The reaction to her live show was best summarized by the UK’s NME in a FIVE STAR live review of her Glastonbury set declaring: “Rosalia put on the show of a lifetime…If you haven’t listened to Rosalia—or seen her live – you need to. ASAP.”  We’re thrilled to welcome her to our stage in her ACL debut. 

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air later this year as part of ACL’s upcoming milestone Season 45 which premieres October 5 on PBS.

Austin City Limits announces first half of Season 45

Gary Clark Jr. on Austin City Limits ©️KLRU photo by Scott Newton

The iconic television music series Austin City Limits announces the first half of the Season 45 broadcast line-up with seven all-new installments to begin airing October 5 as part of the program’s fourteen-episode season. The stellar slate of broadcast episodes features highly-anticipated debuts from today’s most talked-about live acts, and the return of ACL legends, continuing Austin City Limits’ extraordinary run as the longest-running music television show in history. Providing viewers a front-row seat to the best in live performance for a remarkable 45 years, the series airs weekly on PBS stations nationwide (check local listings) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. 

photo by Scott Newton

photo by Scott Newton

Austin City Limits returns this fall with a season premiere featuring a blistering hour with Austin’s own Gary Clark Jr., marking the acclaimed musician’s third appearance on the series. Indie-rock titans Vampire Weekend make a highly-anticipated appearance in a must-see hour showcasing their first album in five years. A season highlight features the return of Americana icon Steve Earle, making his fifth appearance with a tribute to the legendary songwriter Guy Clark; Earle is joined by his band The Dukes and special guests including Rodney Crowell and Joe Ely for choice Clark classics alongside Earle’s own gems from his songwriting catalog. One of Americana’s finest singer-songwriters, Patty Griffin returns for her sixth appearance, sharing an episode with New Orleans rock band The Revivalists in their ACL debut. Next-generation country is showcased with two new artists representing the genre’s expansive range sharing an episode: chart-topping Kane Brown and breakout Canadian folk & western singer Colter Wall. Austin City Limits continues its mission of spotlighting innovators with stunning new hours featuring R&B sensation H.E.R., a two-time 2019 Grammy® Award-winning singer-songwriter-guitarist, and singer-songwriter phenom Maggie Rogers, both making their ACL debuts.

photo by Scott Newton

photo by Scott Newton

“Over the decades ACL has built its reputation on introducing the most original, innovative and eclectic music from every genre,” said ACL executive producer Terry Lickona. “Music fans love to discover artists and sounds they’ve never heard before, or re-discover artists and songs that have stood the test of time. There’s no better place to find them than Austin City Limits, and this season is a perfect example!” 

For the series milestone Season 45, the broadcast has a new opening featuring Austin indie stars Spoon’s classic “Hot Thoughts” and showcasing many of Austin’s own homegrown talents captured at the live music capital’s many colorful locations.

Season 45 Broadcast Line-up (seven new episodes to be announced):

October 5  Gary Clark Jr.

October 12  Maggie Rogers

October 19  Steve Earle & The Dukes: A Tribute to Guy Clark

October 26  H.E.R.

November 2   Patty Griffin / The Revivalists

November 9  Vampire Weekend

November 16  Kane Brown / Colter Wall

November 23  ACL Presents Americana 18th Annual Honors

For the ninth consecutive year, the producers of Austin City Limits, in conjunction with producers Martin Fischer, Michelle Aquilato, Edie Hoback and the Americana Music Association, are proud to present a special ACL Presents on November 23 featuring the best music performances from this year’s 18th Annual Americana Music Association Honors and Awards Ceremony to be held September 11, 2019 at the historic Ryman Auditorium in Nashville, TN. The broadcast is a celebration of the diverse sounds of roots music, from folk, bluegrass and alt-country to R&B and the blues. 

The complete line-up for the full 14-week season, including seven new episodes to air beginning December 31, 2019, will be announced at a later date. Austin City Limits continues to offer its popular live streams of select performances for fans worldwide on ACL’s YouTube Channel. Viewers can visit acltv.com for news regarding live streams, future tapings and episode schedules.

ACL announces live streams for Vampire Weekend, Black Pumas and Colter Wall

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Austin City Limits is thrilled to announce that we will be live streaming a trio of upcoming tapings, with indie rock kings Vampire Weekend on 8/22, Austin psych soul band Black Pumas on 8/28 and Canadian Folk & Western singer Colter Wall on 8/30. Each stream starts at 8 pm CT on our YouTube channel

Vampire Weekend returns to Austin City Limits for their highly-anticipated second ACL appearance.  Ending months of fevered anticipation punctuated by three brilliant double-A-side singles and a slew of over-the-top positive early reviews, Vampire Weekend’s long-awaited fourth album Father of the Bride was released earlier this year, landing the #1 spot on the U.S. charts in its debut.  The album was released to rapturous reviews: GQ says “One of the most important bands of the 21st century…With Father of the Bride, their fourth album, the group has expanded itself and the conception of what a band can be”;  Stereogum hails Father of the Bride, “Quite possibly their magnum opus”; USA Today raves “Vampire Weekend returns as the best indie band of their generation.” The third Vampire Weekend album in a row to reach #1 on the Billboard 200, Father of the Bride’s first week tally of 138,000 is both the year’s biggest sales week for a rock act and the highest single week sales of the Grammy-winning band’s career. Vampire Weekend recently made their first television appearance in five years and kicked off their Father of the Bride North American Tour with sold-out dates throughout 2019. Watch the Vampire Weekend live stream on Aug. 22 here

Black Pumas, the collaboration between former L.A. street musician Eric Burton and guitarist/producer Adrian Quesada, the Grammy-winning founder of Austin’s Latin-funk powerhouse Grupo Fantasma, is having a banner year.  The buzzed-about act just released an acclaimed self-titled debut and won Best New Band at this year’s 2019 Austin Music Awards. Described as “Wu-Tang Clan meets James Brown” by KCRW, they locked down their reputation for thrilling live shows during a 2018 residency at the C-Boys venue in Austin that overnight became the hottest party in town.  The group’s 2019 South by Southwest appearance earned them numerous shout-outs from national press, with NPR hailing them “the breakout band of 2019” and Rolling Stone naming Black Pumas one of the festival’s best acts, saying “Few artists seem to tap the collective unease of the national moment quite like Austin’s Black Pumas…never missing a beat is the tireless, charismatic energy of singer Eric Burton.”  Austin-American Statesman raves “In an era of widespread despair, the band makes rock songs that feel like prayers.” Watch the Black Pumas live stream on Aug. 28 here

After two years of nonstop touring, Colter Wall wanted to make an album about home. Drawing on the stories of his native Saskatchewan, the young songwriter’s corner of the world takes shape throughout his second full-length album, Songs of the Plains. Produced by GRAMMY® Award-winning Dave Cobb in Nashville’s Studio A, the project combines striking original folk songs, well-chosen outside cuts, and a couple of traditional songs that reflect the 24-year-old’s roots growing up in a small town in Western Canada.   The New Yorker declared, “Wall is among the most reflective young country singers of his generation… His ace in the hole is his showstopping voice: a resonant, husky baritone, wounded and vulnerable.” “Wall pushes in close against the untenanted space of the middle provinces, filling their geographic gaps with an intoxicating rasp,” notes Pitchfork. “He sings with a serrated edge, his voice digging crevices rich with heartbreak, homeland, and heritage.” Noisey calls Songs of the Plains “ a heartbroken triumph, a statement suggesting that all that’s missing is perhaps not forever lost.” Watch the Colter Wall live stream on Aug. 30 here

Join us in August here for sets by these great artists. The broadcast episodes will air on PBS later this year as part of our upcoming Season 45.

New tapings: Black Pumas and Sharon Van Etten

photo by Greg Giannukos

Austin City Limits is happy to announce two more tapings for our standout Season 45. Austin progressive soul band Black Pumas come to the stage for the first time on August 28, while acclaimed singer/songwriter Sharon Van Etten makes her ACL debut on September 30.  

Eric Burton, a former L.A. street musician who used to busk for a living at the Santa Monica Pier, made his way to Austin in late 2015, setting up a busking spot at downtown’s 6th and Congress. In 2017, guitarist/producer Adrian Quesada, the Grammy-winning founder of Austin’s Latin-funk powerhouse Grupo Fantasma, had recorded some instrumentals in his Austin studio, and started looking around for a vocalist—he knew a lot of singers, but he wanted something different. A mutual friend mentioned Eric Burton to Quesada, saying that he was the best singer he had ever heard.  The two musicians connected, with Burton singing to one of Quesada’s tracks over the phone. The first day they got together in the studio, they recorded the dusty funk that would become the Black Pumas’ first two singles, “Black Moon Rising” and “Fire.” The results of that beginning can now be heard on their self-titled debut album. Burton’s taste, range, and experience proved to be exactly what Quesada was seeking. “We just take to the same kind of music,” says 28-year-old Burton. “I listen to East Coast hip-hop, old soul music, folk music. When Adrian sent me the songs, it was like I had already heard them before. We were on the same wavelength from the get-go.” Described as “Wu-Tang Clan meets James Brown” by KCRW, Black Pumas won Best New Band at the 2019 Austin Music Awards.  They locked down their reputation for thrilling live shows during a 2018 residency at the C-Boys venue in Austin that overnight became the hottest party in town.  The group’s buzzed-about 2019 South by Southwest appearance earned them numerous shout-outs from national press, with NPR hailing them “the breakout band of 2019” and Rolling Stone naming Black Pumas one of the festival’s best acts, saying “Few artists seem to tap the collective unease of the national moment quite like Austin’s Black Pumas…never missing a beat is the tireless, charismatic energy of singer Eric Burton.”  Austin-American Statesman raves “In an era of widespread despair, the band makes rock songs that feel like prayers.” 

photo by Ryan Pfluger

Sharon Van Etten’s fifth album, Remind Me Tomorrow, called her “most atmospheric, emotionally piercing album to date” (Pitchfork), comes four years after the acclaimed Are We There, and reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present. “I wrote this record while going to school, pregnant, and working on other music” says Van Etten. Throughout Remind Me Tomorrow, the singer-songwriter veers towards the driving, dark glimmer moods that have illuminated the edges of her music throughout her decade-long career and pursues them full force. With curling low vocals and brave intimacy, Remind Me Tomorrow is an ambitious album that provokes our most sensitive impulses: reckless affections, spirited nurturing, and tender courage. Rolling Stone raves the release “…ups her ambitions even further, pushing toward a grand, smoldering vision of pop.”  Recorded in Los Angeles, the songs on Remind Me Tomorrow have been transported from Van Etten’s original demos through producer John Congleton’s arrangement. Congleton (St. Vincent, David Byrne, Unknown Mortal Orchestra) helped flip the signature Sharon Van Etten ratio, making the album more energetic-upbeat than minimal-meditative. “I tracked two songs as a trial run with John,” she says. “I gave him Suicide, Portishead, and Nick Cave’s Skeleton Tree as references and he got excited. The songs are as resonating as ever, the themes are still an honest and subtle approach to love and longing, but Congleton has plucked out new idiosyncrasies from Van Etten’s sound. For Remind Me Tomorrow, Van Etten put down the guitar. The record shows this magnetism towards new instruments: piano keys that churn, deep drones, distinctive sharp drums. There are intense synths, a propulsive organ, a distorted harmonium.   The New York Times named the record’s first single “Comeback Kid” one of “The 25 Songs That Matter Right Now,” calling it “the song you want to raise up your fists and loosen your hips to.”

Van Etten is earning glowing reviews on her global tour, with high-profile slots at Glastonbury and Lollapalooza. NPR Music raves that her live show is “a grand and magnificent turning point for this talented performer and her band.”  We are thrilled to welcome Van Etten to our stage in her first-ever appearance.

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.

New tapings: Colter Wall and Cage The Elephant

photo by Little Jack Films

Austin City Limits is proud to announce two new tapings for our milestone Season 45. Canadian country singer Colter Wall makes his debut on August 30, while Kentucky modern-rock stars Cage The Elephant make their highly-anticipated ACL debut on September 27.  

After two years of nonstop touring, Colter Wall wanted to make an album about home. Drawing on the stories of his native Saskatchewan, the young songwriter’s corner of the world takes shape throughout his second full-length album, Songs of the Plains. Produced by GRAMMY® Award-winning Dave Cobb in Nashville’s Studio A, the project combines striking original folk songs, well-chosen outside cuts, and a couple of traditional songs that reflect his roots growing up in the small city of Swift Current. “One thing I’ve noticed over the last few years, in the United States and playing in Europe, is that people all over the world really don’t know much about Canada at all,” he says. “When you talk about Saskatchewan, people really have no idea. Part of it is because there are so few people there. It’s an empty place—it makes sense that people don’t know much about it. But that’s my home, so naturally I’m passionate about it. With this record, I really wanted people to look at our Western heritage and our culture.” “I went into the studio and knew exactly the story I wanted to tell,” Colter says of the release. “That made it easier on a sonic level and a musical level, to be able to tell Dave that it’s a record about my home. That changes it at the roots level because it’s like having a mission statement, saying, ‘All right, let’s make a Western album.’” Indeed, Wall captures the expansiveness of the Western Canadian plains by relying on minimal production and his resonant baritone, which he’s strengthened into a mighty instrument in its own right. It’s a deep and knowing voice you wouldn’t expect of a man who just turned 24 years old. The New Yorker declared, “Wall is among the most reflective young country singers of his generation… His ace in the hole is his showstopping voice: a resonant, husky baritone, wounded and vulnerable.” “Wall pushes in close against the untenanted space of the middle provinces, filling their geographic gaps with an intoxicating rasp,” notes Pitchfork. “He sings with a serrated edge, his voice digging crevices rich with heartbreak, homeland, and heritage.” Noisey calls Songs of the Plains “ a heartbroken triumph, a statement suggesting that all that’s missing is perhaps not forever lost.”

photo by Neil Krug

Currently on a national co-headlining tour with ACL veteran Beck, Cage The Elephant is one of rock’s biggest live acts, and the band makes their highly-anticipated ACL debut on the heels of their recently released fifth studio album Social Cues. Produced by John Hill (Santigold, Florence + The Machine, Portugal. The Man, tUnE-yArDs), Social Cues is the follow up to their 2015 GRAMMY®-winning Tell Me I’m Pretty for Best Rock Album.  The acclaimed Social Cues is garnering raves with Rolling Stone calling it “their best album yet” and The Chicago Sun-Times saying “the band has pushed their sonic boundaries further and created their most personal record to date.”  The majority of the material on Social Cues was written during the unraveling of frontman Matt Shultz’s marriage. In order to make sense of such a difficult experience, he explored the hidden recesses of his psyche, creating characters to tell different parts of his personal story. He explains, “when I’m creating, I try to put myself in a reactive state of improvisational thought. I let images just arise in my mind and wait for it to evoke an emotional response and then when it does, I know I’m on to something.” Deeply inspired by punk music, brothers Brad and Matt Shultz began playing music in their Bowling Green, KY high-school with fellow students Jared Champion and Daniel Tichenor. Shortly after forming the band, they made the bold move to London to launch their career. Their self-titled 2008 debut album generated international attention, catapulting them up the Billboard Alternative and Rock charts and achieving Platinum certification. Cage The Elephant has released three additional studio albums – 2011’s Thank You, Happy Birthday, the Gold-certified Melophobia in 2013 and 2015’s Tell Me I’m Pretty. They have had 7 Billboard #1 singles with 11 singles landing in the Billboard Top 10 and digitally have a combined 1.5 billion streams worldwide. Cage The Elephant is lead singer Matt Shultz, rhythm guitarist Brad Shultz, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster.  

Want to be part of our audience? We will post information on how to get free passes about a week before each taping. Follow us on Facebook and Twitter for notice of postings. The broadcast episodes will air on PBS later this year as part of ACL’s upcoming milestone Season 45.

R.I.P. Art Neville of the Neville Brothers

Art Neville ACL 2005

Austin City Limits was saddened to learn of the death of ACL Hall of Famer Art Neville, keyboardist, songwriter, singer and co-founder of funk/soul legends the mighty, mighty Neville Brothers and the Meters, and an ambassador for New Orleans music worldwide, on July 22. He was 81. 

The eldest Neville Brother, Art was born in 1937 in the Big Easy. Though he claimed that the brothers had no radio or records growing up, Art still discovered music, falling under the spell of both the 1950s doo-wop groups like the Orioles and the Drifters and the New Orleans piano greats Professor Longhair and Fats Domino – obvious influences on both his instrument of choice and the R&B harmonies of his brothers’ band. He scored a regional hit early on with the Hawketts, recording “Mardi Gras Mambo” when he was only 16. The song is still a staple of New Orleans Fat Tuesday celebrations. 

Following a stint in the Navy, Art formed Art Neville & the Neville Sounds, becoming the house band for Allen Toussaint’s many productions and eventually evolving into the beloved funk outfit the Meters. With the Meters, Art contributed the classics “Hey Pocky Way” and “Cissy Strut” to the musical lexicon, recorded acclaimed instrumental albums like Rejuvenation (named one of Rolling Stone’s 500 Greatest Albums of All Time) and backed artists like the late Dr. John (“Right Place, Wrong Time”), LaBelle (“Lady Marmalade”) and Robert Palmer (Sneakin’ Sally Through the Alley). 

Following the expiration of a contractual obligation that prevented them from working together, Art joined forces with his younger brothers Cyril, Aaron and Charles, backing their uncle, Mardi Gras Indian Big Chief George “Jolly” Landry on the landmark 1976 Wild Tchoupitoulas album, and released their self-titled debut as the Neville Brothers in 1978. The siblings recorded frequently and toured relentlessly for over thirty years, issuing classic albums like Fiyo On the Bayou, Yellow Moon and Valence Street and iconic songs “Sitting in Limbo,” “Brother John,” “Yellow Moon,” “Congo Square” and, of course, the immortal N’awlins anthem “Iko Iko.” Art also resurrected the Meters as the Funky Meters, continuing to perform with both groups as his health allowed until he retired from the stage in 2018.  

Called “the captain of the ship” by New Orleans Jazz and Heritage Festival director Quint Davis, Art Neville made three iconic appearances on ACL with the Neville Brothers, the first Big Easy band to grace the ACL stage: in Season 4 (1979), Season 11 (1986) and Season 20 (1995).  We were proud to honor them with an induction into the ACL Hall of Fame in 2017, featuring tributes from some of New Orleans finest including Trombone Shorty and the late Dr. John.  Here is Art singing the first number in the band’s 1979 ACL debut: the Neville Brothers classic “Sitting in Limbo.” 

CANCELED: ACL to live stream Julien Baker and Lucy Dacus double shoot

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Due to unforeseen medical circumstances, Julien Baker will not tape Austin City Limits tonight. Lucy Dacus will still perform but it will not be live streamed.

Austin City Limits is excited to announce that we will be live streaming our upcoming taping featuring critically-acclaimed singer/songwriters Julien Baker and Lucy Dacus. The taping will stream on July 30, starting at 8 pm CT on our YouTube channel

2018 was a milestone year for Richmond, VA’s Lucy Dacus. Her widely celebrated sophomore record, Historian, was met by a cavalcade of critical elation, with NPR, Rolling Stone, Pitchfork, NBC News, Slate, The Atlantic, Billboard, Paste, Stereogum, and more choosing it as one of the year’s best albums. Dacus’ remarkable sense of melody and composition are the driving force throughout, giving Historian the immersive feel of an album made by an artist in full command of her powers. “This is the album I needed to make,” says Dacus, who views Historian as her definitive statement as a songwriter and musician. “Everything after this is a bonus.” She played revelatory sold-out shows at clubs and festivals alike, along with multiple high profile television appearances. A glance at her worldwide touring schedule in 2019 shows little sign that Dacus is slowing down, and in fact, she will release a series of songs titled 2019 to celebrate. Recorded in here-and-there studio spurts over the last two years, 2019 will be released later this year as a physical EP on Matador Records, and will be made up of originals and cover songs tied to specific holidays, each of which will drop around their respective date: Valentine’s Day, Mother’s Day (and Taurus season!), Independence Day, Springsteen’s Birthday, Halloween, Christmas, and New Year’s.

Memphis native Julien Baker’s chilling solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by a then 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker’s voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine’s Vulture. With 2017’s Turn Out The Lights, Baker claimed a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From its opening moments — when her chiming, evocative melody is accompanied by swells of strings — Turn Out The Lights throws open the doors to the world without sacrificing the intimacy that has become a hallmark of her songs. The album explores how people live and come to terms with their internal conflict, and the alternately shattering and redemptive ways these struggles play out in relationships. “Turn Out The Lights is beautifully crafted throughout,” noted Spin, “full of the kinds of songs that linger long after they’ve ended.” Under the Radar declared, “Baker is writing faultless songs that will always have a home in our hearts because finding comfort in even the saddest moments means we’re still feeling. And if we’re feeling, there’s hope for us yet.” 

In addition to their successful solo careers, Julien Baker and Lucy Dacus (along with Phoebe Bridgers), comprise the indie rock supergroup boygenius, whose 2018 EP landed on the year-end best-of lists of Newsweek, The New Yorker, Esquire, The New York Times and more, with Pitchfork raving “(boygenius) sing like hell together in lung-shattering harmony.”

Join us on July 30 here for both sets by these fast-rising young singer/songwriters. The broadcast episodes will air on PBS later this year as part of our upcoming Season 45.