Encore: Norah Jones and Angel Olsen

photo by Scott Newton

Austin City Limits showcases two of today’s most acclaimed singer-songwriters in a new installment. ACL veteran Norah Jones and indie breakout star Angel Olsen share the episode, with distinctive performances demonstrating the extraordinary range of the genre.

Norah Jones made her first appearance on Austin City Limits in 2002, just prior to the release of her landmark debut Come Away With Me, which propelled her to the world stage. Since then, Jones has sold 50 million albums worldwide and is a nine-time Grammy-winner. She returns for her fourth appearance on the series performing new songs from her sixth album Day Breaks, a kindred spirit to Come Away…and a return to her piano and jazz roots. Seated at her grand piano, the native Texan delivers a stately performance featuring new gems, including the stunning originals “Flipside” and “Carry On,” and gorgeous renditions of Neil Young’s “Don’t Be Denied” and Horace Silver’s jazz standard “Peace.” Jones closes out the set on acoustic guitar surrounded by her bandmates as they gather around a single microphone for an inspired cover of the Grateful Dead’s “Ripple,” reimagined as a folk classic.

A unique voice in indie music, Angel Olsen shares songs from her widely-acclaimed release My Woman in a compelling, confident ACL debut. “I have a couple things I’d like to share with you tonight. A couple of feelings and a couple of songs,” says the dynamic singer-songwriter-guitarist. Her powerful vocals anchor her longing, demanding love songs as the Austin crowd sing along rapturously. Olsen’s five-piece band, sharp in matching powder blue suits, join in soaring harmonies to breathtaking effect. The indie stunner has the crowd in her pocket as she closes with a highlight, the reverb-shrouded poetic swoon of “Shut Up Kiss Me,” an anthem for the ages.

Angel Olsen ©️KLRU photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. This episode is also featured on American Airlines’ in-flight entertainment channel in June. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode featuring indie rockers The Head and The Heart and blues/soul/rock & roller Benjamin Booker.

Encore: The Pretenders

The Pretenders - photo by Scott Newton

Austin City Limits rocks on with a hit-filled hour starring the great Pretenders in their first-ever appearance on the ACL stage. The legendary rock band sends a message of love to viewers with an eleven-song hit parade.

Influential punk new-wave veterans the Pretenders are in fighting form as they kick off an electrifying hour with new classic “Alone,” a swagger-fueled gem that fits right into the band’s canon, and the title track from their first album in almost a decade. Iconic bandleader Chrissie Hynde informs the crowd, “You don’t have to be polite, because we don’t plan to be.” The defiant frontwoman commands the stage, showcasing her still-radiant voice in a career-spanning performance featuring fan-favorites including “Back On The Chain Gang,” “My City Was Gone,” “Mystery Achievement,” and “Middle of the Road.” Pretenders’ trademark tough and tender lyrics resonate as they did when the band arrived on the London scene in 1978. Hynde fondly introduces original member Martin Chambers as “the world’s greatest rock drummer,” as he plays the stirring intro of “Message Of Love.” The band caps the powerhouse set with their signature hit “Brass In Pocket,” as Hynde pulls a spellbound fan onstage to join her on the timeless tune.

“One thing that hasn’t changed in almost 40 years,” says ACL executive producer Terry Lickona, “Chrissie Hynde is still a badass! There’s no doubt about who’s in charge, and musically her voice still rings as clear and strong as ever. Whether you’re an old fan or a newbie, this is a show for the ages.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for an encore episode of expert songwriting and soulful singing with Norah Jones and Angel Olsen.

Encore: Sturgill Simpson and Asleep at the Wheel

Sturgill Simpson ©KLRU photo by Scott Newton

stin City Limits welcomes breakout country artist Sturgill Simpson sharing the bill with legendary Western swing institution Asleep at the Wheel.  Two acts steeped in old-school tradition but beamed through a contemporary prism, the must-see episode features rising star Simpson making his full set ACL debut while Texas swing veterans Asleep at the Wheel return for their 11th appearance. ACL Hall of Fame members AATW are joined by guest stars The Avett Brothers, Amos Lee and the Quebe Sisters in a special tribute to musical forebear Bob Wills, the King of Western Swing.   

Forty years after Willie Nelson made his iconic debut on ACL on October 14, 1974, country rebel Sturgill Simpson arrives at the top of his game in a standout ACL debut.  With his acclaimed breakthrough Metamodern Sounds In Country Music topping Best of 2014 Album lists and a stack of accolades to call his own—including a Grammy nomination, top honors at this year’s Americana Awards, slots at the year’s biggest music festivals, including Bonnaroo, Coachella and ACL Fest—ACL captures Simpson on the verge of full-blown stardom.  Playing an acoustic guitar, the Kentucky native and his ace four-piece band launch into a scorching seven-song set that makes a believer out of everyone. He pays tribute to the outlaw country scene that inspired him, acknowledging his debt to Willie, and to Austin cosmic cowboy Steve Fromholz, with an impassioned rendition of “I’d Have to Be Crazy,” a Fromholz song Nelson made famous in the ‘70s, and a perfect showcase for Simpson’s rich baritone.  The full span of Simpson’s influences is evident with the inspired set-closer, a brilliant crossbreed of the Osborne Brothers’ bluegrass classic “Listening to the Rain” to glam-rock band T-Rex’s “The Motivator.”

A national as well as Texan treasure, the nine-time Grammy Award-winning Austin supergroup Asleep at the Wheel has kept the Western swing flame burning for forty-five years.  Still led by larger-than-life founder Ray Benson, AATW appeared in the first official episode of Austin City Limits in 1976, and returns for a remarkable eleventh appearance to perform selections from their recent Bob Wills tribute album Still the King: Celebrating the Music of Bob Wills and His Texas Playboys, a salute to the great bandleader.  Wills’ music, born in the 1920s and ‘30s, continues to inspire younger generations, and AATW is joined on the ACL stage by some very special guests, including soul singer Amos Lee, fiddle trio the Quebe Sisters and Americana sensations The Avett Brothers, who put their own spin on Western swing classics.  A highlight of the set comes when two former Texas Playboys—singer Leon Rausch, 88, and 92-year old saxophonist Billy Briggs—take the stage.  The entire ensemble returns for a crowd sing-along of the signature “Texas Playboys Theme,” winding “Happy Trails” into the old chestnut for a perfect close.  

Asleep at the Wheel with special guests ©KLRU photo by Scott Newton

“This show goes back deep to the roots of where Austin City Limits began,” says ACL executive producer Terry Lickona.  “Sturgill would’ve fit perfectly into the Austin music scene of the ‘70s, and it speaks volumes that his own progressive country sound resonates so strongly and stands in contrast to much of the country pop today.  Asleep at the Wheel appeared on the very first episode of our very first season, and they’re still kicking it 41 years later – just like ACL!”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for another encore episode, featuring rock icons The Pretenders.

Encore: Zac Brown Band

Zac Brown Band ©️KLRU photo by Scott Newton

Austin City Limits presents a heartwarming hour with Southern country-rock act Zac Brown Band. The multi-platinum, three-time Grammy Award-winning group make their series debut with a career-spanning performance.

The acclaimed Atlanta octet showcase career highlights alongside new songs in a spirited, 11-song triumph. The country-rockers claimed Best New Artist at the 2010 Grammy Awards with their breakthrough release, The Foundation (now five-times platinum) and today are one of music’s biggest live acts. “We’re super-proud to be on the ACL stage,” says bandleader Zac Brown as he welcomes the crowd to pull up a seat at the “Family Table,” a gem from the band’s latest release Welcome Home. Brown shares the heartfelt stories behind many of their songs including the chart-topping ballad “Colder Weather” and the power-of-music testament “Day That I Die,” from 2012’s Uncaged, the Grammy Award-winning Best Country Album. The band cap the soaring set with a masterful hat-trick showcasing the musical range that has made them a fan-favorite; starting with “The Muse,” originally recorded with the Foo Fighters’ ubiquitous Dave Grohl, followed by their stirring cover of songwriting legend John Prine’s “All the Best,” and ending in tribute to their Southern-rock roots with a roof-raising finale of the Allman Brothers’ classic “Whipping Post.”

“To call them ‘Country’ or ‘Southern Rock’ doesn’t begin to describe the breadth and depth of what Zac Brown Band is really all about,” says ACL executive producer Terry Lickona. “Singing songs that tell great stories and playing music that just plain makes you feel better is definitely a big part of who they are and where they’re from.”

Zac Brown Band ©️KLRU photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Join us next week for a brand new episode, featuring the debut of acclaimed country troubadour Sturgill Simpson and the return of ACL frequent flyers Asleep at the Wheel.

Encore: Florence + the Machine and Andra Day

photo by Scott Newton

Austin City Limits presents a breathtaking hour with two of today’s most inspirational acts: Florence + the Machine in their return appearance and Andra Day in a standout ACL debut.

UK hitmakers Florence + the Machine first-appeared on the ACL stage in 2012. Now international superstars and one of rock’s biggest live acts, the unstoppable band make a triumphant return with a high-energy, buoyant five-song set. Dynamic leader Florence Welch dances barefoot across the stage performing songs from their recent, chart-topping LP How Big, How Blue, How Beautiful. Her knockout vocals and remarkable rapport with fans captivate throughout as she enlists the crowd as a “hungover choir of angels” for the Grammy-nominated “Shake It Out” from 2011’s Ceremonials, closing with a rapturous performance of the band’s 2009 breakthrough smash, the anthemic “Dog Days Are Over.”

“Florence brings a unique performance art to all of her shows, and she took it to a new level this night,” says ACL executive producer Terry Lickona. “She went out of her way to establish a real connection with her audience, and at times the fans seemed to be as much a part of the show as she was. It’s very magical to watch it happen in real time.”

Rising star Andra Day dazzles with her unique mix of R&B, soul and jazz in her first ACL outing, performing songs from her Grammy-nominated debut Cheers to the Fall. A singer with astounding vocal range, she showcases her powerhouse vocals in a stellar, four-song set. The performance turns topical as Day addresses the events of the Orlando tragedy (her taping was the same day) and dedicates her anthem of resilience “Rise Up” to the victims and their families. In a raw, emotionally cathartic moment, she asks the audience to join her in song sending healing energy in the hopes that the families might feel some comfort. Closing with a cover of Queen’s “I Want It All,” altering the original’s rock arrangement into a pleading blues ballad, the song brings the singer to her knees and the audience to their feet.

“It was the day of the Orlando tragedy, and emotions were already running high,” says Lickona. “Andra’s powerful performance reminded us all that music can be a universal healer and a force for good. When she sang ‘Rise Up,’ there was hardly a dry eye in the house.”

photo by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore episode featuring the ACL debut of Zac Brown Band.

 

Encore: Ed Sheeran

Ed Sheeran ©️KLRU photo by Scott Newton

Austin City Limits presents a dazzling hour featuring one of today’s most popular artists: Ed Sheeran. The worldwide superstar returns to the ACL stage in a stunning solo performance showcasing fan favorites and hit songs from his blockbuster album ÷ (Divide), the biggest-selling album of 2017.

Next generation singer-songwriter Sheeran shines in a ten-song tour de force, opening with the soaring anthem “Castle on the Hill,” one of the latest classics from his double-platinum Divide, Sheeran’s third studio album. “I feel this is going to be quite fun tonight,” enthuses the 26-year-old British phenom who first appeared on ACL in 2014. The one-man marvel performs solo with only his guitar and a loop pedal to layer his vocals, in a striking, intimate hour. Sheeran thrills with career highlights including his breakthrough hit “The A Team,” “Thinking Out Loud,” (which won him his first two Grammy Awards in 2016), and “Perfect,” a stunner from Divide Sheeran calls “my favorite song I’ve ever written.” The Austin audience is happy to follow his lead for the show-stopping set-closer “Shape of You,” the record-breaking chart-topper which recently became Spotify’s most-streamed song ever with over 1 billion plays. The musical dynamo is transcendent as he jumps from amp to amp, while working his loop pedal, drumming on his guitar and directing the willing crowd in a euphoric sing-along.

“There aren’t enough superlatives to describe Ed Sheeran’s many successes, but underlying everything is a genuine talent that makes him stand out,” says ACL executive producer Terry Lickona. “What’s remarkable is that at 26 his songs have connected with so many fans literally all over the globe. This is the first time that his unique one-man show has been captured for a full hour on broadcast television.”

Ed Sheeran on Austin City Limits ©️KLRU by Scott Newton

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. This episode will also feature on American Airlines’ in-flight entertainment channel in June. Join us next week for an encore featuring two of today’s most exciting rock and soul artists: Florence + the Machine and Andra Day.

Encore: TV on the Radio and The War On Drugs

photo by Scott Newton

Austin City Limits showcases left of the dial faves TV On The Radio and The War On Drugs, splitting the bill in a brand new installment. Two of today’s most critically-acclaimed indie rock bands, both acts make powerful debuts in their first appearance on the ACL stage.  

First up is TV On The Radio, formed in Brooklyn in 2001 and considered one of the most influential bands of the decade. The quartet showcase tracks from their latest and widely-acclaimed album Seeds. TVOTR’s originality and eclectic musical spirit—encompassing psychedelia, soul, electronica and urgent punk rock—is evident in their masterful five-song set, opening with the hard-driving “Lazerray” and grappling with pain and loss in the soulful, emotional closer “Trouble.” Witness an act that continues to make music boldly on their own terms, always pushing forward to become one of the best bands of its generation.

Philadelphia band The War On Drugs perform songs from their 2014 breakthrough Lost in the Dream, which earned widespread praise and landed the top spot on many critics’ album-of-the-year lists. Kicking off a gorgeous set with “Under the Pressure”, the song Spin declared record of the year, the rock outfit build momentum creating lush soundscapes filled with musical craft and intricate instrumentation. Bandleader Adam Granduciel’s Dylanesque vocals, cathartic lyrics and grand-scale guitar solos unfold to reveal expansive, dreamy atmospherics for a memorable debut.

The War on Drugs ©KLRU photo by Scott Newton

photo by Scott Newton

“Indie music has been an important part of ACL’s musical legacy over the past two decades, but it’s a big umbrella that covers a vast musical landscape,” says ACL executive producer Terry Lickona. “Both TV On The Radio and The War On Drugs stand out as virtuoso live musicians, but their songs and vocals are what caught my ear. They are personal yet accessible to anyone who is a fan of great music.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. This episode will also make its debut on American Airlines’ in-flight entertainment channel in June. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an hour with global pop star Ed Sheeran.

 

Encore: Band of Horses and Parker Millsap

photo by Scott Newton

Austin City Limits showcases modern roots rock with two American originals: indie favorites Band of Horses and acclaimed singer-songwriter Parker Millsap.

South Carolina indie-folk rockers Band of Horses made their ACL debut in 2010 and return to perform time-honed classics alongside new gems from their fifth studio album Why Are You Ok? The Charleston-based quintet, led by dynamic frontman Ben Bridwell, kick off the upbeat seven-song set with the classic, “Is There A Ghost” from their 2007 album Cease To Begin. The band strips down to an acoustic trio for the early career hit “Part One,” circling a single microphone to capture their lush three-part harmonies. New songs “Throw My Mess,” “Hag” and “In A Drawer,” showcase the band’s melodic range, and lead into the raucous set-closing anthem, fan favorite “The General Specific.”

Oklahoman singer-songwriter Parker Millsap has set the Americana world on fire with his songs, his voice and his impassioned live show. Raised in the Pentecostal church, Millsap is filled with a fire-and-brimstone fervor that fuels his gospel-tinged lyrics and gives way to Buddy Holly-esque rockabilly ravers. The 23-year-old rising star opens his ACL debut with the apocalyptic title track from his sophomore album The Very Last Day. Millsap’s “talent for bringing convincing, complex characters to life” (NPR) is evident in the set’s centerpiece, “Heaven Sent,” which has the singer taking on the role of a gay son searching for his preacher father’s acceptance. Millsap closes out the standout performance with a soaring, fiddle-accompanied take on the blues classic “You Gotta Move,” then concludes with a howling, impassioned performance of his own hard-hitting “Hades Pleads,” which gets the appreciative ACL audience on their feet for a well-deserved ovation.

photo by Scott Newton

“Their songs are at the heart of what makes both Band of Horses and Parker Millsap so special,” says ACL executive producer Terry Lickona. “Band of Horses are at the top of their game, lyrically and melodically, and Parker Millsap’s songwriting is story-telling at its very best. This is a show you where you should turn off the lights and turn up the volume.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL info. Tune in next week for an encore episode from the one and only Cyndi Lauper.