Encore: Gary Clark Jr. and Alabama Shakes

photo by Scott Newton

This weekend, ACL presents two game-changers bringing modern blues and soul to a new generation: Gary Clark Jr. and Alabama Shakes. The power of live performance is front and center as Austin’s own rock ‘n’ soul phenomenon Clark and soulful rockers Alabama Shakes take the ACL stage in separate showcases.

“I’ve been wanting to do this for sixteen years” says a stoked Gary Clark Jr. from the stage. “It feels so good to be here right now.” Long Austin’s favorite son, the twenty-eight year old bluesman exploded onto the international music scene when he delivered an incredible performance at Eric Clapton’s 2010 Crossroads Guitar Festival. Born and raised in Austin, Clark began playing guitar at age 12, tearing up hometown stages since he was a teenager. He made a name for himself across the globe with the release of his critically-acclaimed 2012 major label debut Blak and Blu, and kicked off 2013 with a performance for President and Mrs. Obama at The White House. Clark has earned across-the-board raves for his singular talent, with The New York Times hailing Clark as “a guitarist of deep magnetism and tremendous feel.” The guitar virtuoso flaunts his six-string chops in his ACL appearance, thrilling the audience with a bold mix of blues, rock, soul and funk. Clark made his auspicious ACL debut back in Season 33 as part of the Tribute to Bluesman Jimmy Reed, with Jimmie Vaughan and Omar Dykes, and with his own set Clark proves he’s the one to watch.

“He’s already shared the stage with the likes of the Rolling Stones, Paul McCartney and Eric Clapton, but Gary is the essence of what his hometown Austin’s music is all about,” says executive producer Terry Lickona. “He learned from the best in every genre from the age of 12, and remains true to his heart and his roots. He’s our pride and joy.”

photo by Scott Newton

Raucous newcomers Alabama Shakes combine the old and the new to create gritty, joyous and soulfully raw music. Muscle Shoals-inspired and hailing from Athens, Alabama, the foursome enthusiastically blend rock with soul, country, blues and roots. The rock quartet has attracted widespread praise, including their recent Grammy nomination for Best New Artist.  Alabama Shakes’ style is marked by lead singer Brittany Howard’s powerful vocals—which have been compared to those of Janis Joplin and Otis Redding—and the group’s irresistible energy. Performing tracks from their breakthrough release Boys & Girls, the band open their ACL debut with the breakout hit “Hold On,” and launch into an ecstatic, transcendent, rafter-shaking set.

“There’s a reason Grammy voters nominated them for Best New Artist of the Year, the same reason we taped this show before they had even released their first record,” declares Lickona.  “Raw talent is hard to miss, and a vocal talent like Brittany Howard comes along once in a decade – if that.”

Check out the episode page for more info on this great show. You can keep up with ACL events via our Facebook and Twitter pages and our newsletter. Next week: Norah Jones and Kat Edmonson.

 

Encore: Radiohead

photo by Scott Newton

The day after we recorded Radiohead  back in March 2012, our reaction was, “Radiohead taped Austin City Limits last night. It almost feels like that’s all we need to say.” Even now we still feel the same sense of met anticipation. It was a happening that fans and we had personally been waiting for and it finally came to fruition. A band like Radiohead, (well, let’s be honest – there really isn’t a band out there like Radiohead) that can constantly challenge themselves and evolve to change their sound to continue to make beautiful and inspiring music is a rare gift. We are incredibly grateful to encore an episode featuring such progressive rock icons and modern day musical legends.

Radiohead open their set with “Bloom,” the busy and fitting song for the occasion that opens their 2011 self-released album The King of Limbs. From there the group goes to the piano-heavy and melodic “Daily Mail,” another new song from that year. The rest of the set features a collective mix of tracks from TKOL, Hail to the Thief, Kid A, OK Computer, and new singles. One highlight of the night is when they played a forgotten B-side, “The Amazing Sounds of Orgy.” Of course the essence of the night was captured at the very end when the band played the big hits and crowd favorites, “Idioteque” and “Paranoid Android.”

For those that missed seeing the taping live or the original broadcast, this is your opportunity to see what many described as being a passionate and “life-changing” performance. You can truly feel the energy of the band and the audience in this episode, and Thom Yorke’s dancing may even inspire you to flail around in your living room. (Seriously, if you don’t dance during “Idioteque” then there may be something wrong with your well-being.)

photo by Scott Newton

Don’t miss this weekend’s episode with Radiohead! And don’t forget to “Like” us on Facebook, follow us on Twitter and sign up for our newsletter for updates about ACL. Next week: the second half of Season 40 begins with the Avett Brothers and Nickel Creek.

 

Encore: Tom Waits

photo by Scott Newton

The Tom Waits episode of Austin City Limits is one of the most requested shows in our 40-year archive. Recorded in December 1978, the show features the iconoclastic singer/songwriter supporting his classic LP Blue Valentine and deep in the transitional phase of his career, evolving out of the jazzy beat poetry of his early work (“I Wish I Was in New Orleans”) and into the bluesier, more dissonant sounds (“Sweet Little Bullet From a Pretty Blue Gun”) for which he became known in the 80s and beyond. He acknowledged the season with the streetwise but lovely “Christmas Card From a Hooker in Minneapolis,” which incorporates a few bars of a better-known Xmas hymn. And he debuted “On the Nickel,” one of his greatest ballads, and which wouldn’t be released on record until Heartattack and Vine in 1980.

You can check out the episode page for pics, the set list and the original liner notes for the episode. Don’t forget to visit our Facebook and Twitter pages and/or sign up for our newsletter for the latest news on ACL happenings. Next week: Radiohead.

 

Encore: Rodrigo y Gabriela with C.U.B.A.

photo by Scott Newton

For guitar fans, Austin City Limits has been home to legions of blues and country-soaked guitar slingers, from Stevie Ray Vaughan to Eric Johnson to Jerry Reed. This week, however, we feature the dazzling skills of Rodrigo y Gabriela. Joined by Cuban orchestra C.U.B.A., the Mexican duo puts its patented blend of flamenco, jazz and rock through its paces for a thrilling 60 minutes.

Driven by C.U.B.A.’s infectious accompaniment, the pair rockets through “Santa Domingo,” “11:11” and “Tamacun,” with their impressive guitar work riding the lush Cuban motion of their collaborative album Area 52. Gabriela’s traditional flamenco technique, often augmented by a wah-wah pedal, keeps time as much as the drums and percussion, while Rodrigo’s fleet-fingered leads head to the stratosphere – he even pays tribute to his heavy metal roots by strapping on an electric guitar for “Hanuman” and cranks some distortion on “Diablo Rojo.” Longtime fans wanting to hear the duo’s talent unadorned will be thrilled by the middle segment, as C.U.B.A. takes a break to allow Rodrigo y Gabriela to showcase what they are known for: two guitars, chemistry and flying fingers. Each picker takes the spotlight solo as well, in which Rodrigo zooms up and down his fretboard with sizzling leads and Gabriela proves herself as much percussionist as guitarist.

photo by Scott Newton

You can get a sample of Rodrigo y Gabriela and C.U.B.A.’s danceable virtuosity by visiting the episode page, which should be enough to entice to check your local listings for the broadcast time on your PBS station. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL info. Next week: Tom Waits.

 

Encore: Jason Isbell and Neko Case

photo by Scott Newton

This weekend ACL features two powerful singer-songwriters: Jason Isbell and Neko Case, each possessing a distinctive style and voice.

Hailed as “one of America’s thoroughbred songwriters” by The New York Times, Jason Isbell opens the episode, making his ACL debut. The Nashville-via-Mussel Shoals, Alabama singer/songwriter’s 2013 album Southeastern scored a Top 25 on the Billboard 200, and critical raves, including topping many critic’s year-end best lists. The New York Times Magazine declared, “the record is a breakthrough for Isbell—prickly with loss, forgiveness, newfound sobriety and second chances.” Rolling Stone calls it “one of the year’s best in any genre,” and Pitchfork raves “Southeastern is easily Isbell’s best solo album.” A former member of acclaimed Southern rock band Drive-By Truckers, Isbell launched a solo career in 2007. Backed by his band the 400 Unit, including his wife, fiddler Amanda Shires, and with a rawness and honesty that’s rare in contemporary songwriting, Isbell gives a stunning must-see performance on the ACL stage.

You can see Isbell’s performance in its unedited entirety on the recently-released DVD Jason Isbell: Live at Austin City Limits. You can purchase a copy here.

“It doesn’t happen very often,” said executive producer Terry Lickona, “but when Jason sang ‘Elephant,’ it literally gave me chills. That’s the kind of writer he is, and that’s the kind of performer he is.”

Neko Case makes a thunderous return to ACL (she first appeared in 2003) performing songs from her acclaimed 2013 release The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, her sixth studio album.  Case emerges from a three-year period the artist describes as full of “grief and mourning,” in the wake of the deaths of not just both her parents, but several intimates as well. With her fearless songwriting and musical curiosity, Neko Case captures fans with “one of the most memorable and seductive voices in music” (NPR).  Pitchfork says The Worse Things Get… “is the most potent album of her career,” and Rolling Stone raves that Case is “one of America’s best and most ambitious songwriters.” Case performs a captivating set of songs from the new record, and a few gems from her recent releases.

photo by Scott Newton

“There’s something about that voice, but it’s also about the delivery – which makes this performance that much more special,” said Lickona. “Her television performances are few and far between, so this is one that’s not to be missed!”

Check out the episode page for more details. Don’t forget, you can click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Rodrigo y Gabriela.

 

Encore: Juanes and Jesse & Joy

photo by Scott Newton

Austin City Limits presents an encore with two of the biggest acts in Latin music today, Juanes and Jesse & Joy. Colombian superstar Juanes headlines with a thrilling, high energy set, while Mexico City’s sibling duo Jesse & Joy sing a selection of their breakthrough hits.

With six solo albums to his credit and multi-platinum sales of over 16 million, Juanes is the world’s leading all-Spanish language rock artist. An electrifying guitarist and gifted songwriter, Juanes made his ACL debut back in 2005, and has since gone on to win multiple Grammy Awards and a record number of Latin Grammys. The Associated Press calls Juanes “the first truly international rock star to emerge from Latin America.” Juanes returns to the ACL stage in a dynamic performance, kicking things off with “Fijate Bien,” the Latin Grammy-winning title track to his debut album.  He pays tribute to one of his inspirations—Bob Marley—with a Latin spin on the reggae classic “Could You Be Loved?”.  By the time he launches into his huge hits, Juanes proves he doesn’t need to sing in English any more than he needs a surname to thoroughly rock the Austin audience.

Jesse & Joy have become one of the most celebrated pop-rock acts to emerge in the Latin music scene since they formed in Mexico City in 2005. The musical siblings boast five Latin Grammy Awards, including four for their triple platinum 2012 album ¿Con Quién Se Queda El Perro? (“Who Gets the Dog?”) and their first Grammy Nomination this year for Best Latin Pop Album.  The Los Angeles Times raves, “Their rootsy, soft-rock sincerity evokes ’80s country-pop, and Joy’s dulcet-but-earthy voice has been compared to those of Norah Jones, Alanis Morissette and, almost inevitably, Kelly Clarkson.” With Jesse Huerta on guitar, piano, drums, and background vocals and Joy Huerta on vocals and guitar, these siblings in sound deliver a breakout performance. A highlight is the duo’s emotional performance of their smash hit “Corre”— with the audience singing along to every word, waving their hands in the air, it’s a moment that reflects the truly universal language of music.

photo by Scott Newton

“Juanes is the first Latin artist since Ricky Martin to break out and transcend musical and cultural barriers,” says ACL Executive Producer Terry Lickona. “Audiences connect with him on many levels, and his charisma on stage is magnetic! As brother and sister, Jesse & Joy’s music is very genuine and emotional, and it’s just fun to watch them interact with each other and their fans.”

Check out the episode page here for setlists and more. Keep up with ACL happenings via our Facebook and Twitter pages or our newsletter. Next week: Jason Isbell and Neko Case.

Nine Inch Nails continues ACL Season 40

photo by Scott Newton

Austin City Limits presents a rare hour of television with legendary industrial rock titan Nine Inch Nails in a special encore broadcast  that originally previewed in April as a prelude to our 40th anniversary season. Recently nominated for induction into the Rock and Roll Hall of Fame, NIN give an arena-worthy performance in their ACL debut.

“We’ve waited a long time to do anything like this,” says Nine Inch Nails’ Trent Reznor from the ACL stage. The episode offers a fascinating look at the influential act’s artistry in a flawless performance of unparalleled intensity. NIN’s Reznor and the seven-piece band—Alessandro Cortini, Josh Eustis, Robin Finck, Lisa Fischer, Sharlotte Gibson, Pino Palladino and Ilan Rubin—deliver an electrifying hour-long set that is a masterpiece of tension and release. Opening with the sultry “All Time Low” from the critically-acclaimed Hesitation Marks—their first album in five years—the band performs tracks from its recent offering alongside earlier works, including 1999′s The Fragile. NIN segue into a revamped version of “Sanctified” from the 1989 debut Pretty Hate Machine, with the vocal duo of Fischer and Gibson adding depth and texture to the pummeling rhythms throughout the song as well as the entire riveting set. The cathartic performance comes to a close with a redemptive take on the NIN classic “Hurt”, as Reznor grips the microphone and howls the confessional lyrics while the Austin audience begs for more.

photo by Scott Newton

“We never thought we’d see the day when Nine Inch Nails would set foot on the ACL stage,” says Executive Producer Terry Lickona. “I mean, they never did television for 25 years. I came away from this show having the greatest respect for Trent Reznor. He’s one of the most focused, intense and creative artists I’ve ever worked with.”

Tune in this weekend for this episode, and, as always, check your local PBS listings for the broadcast time in your area. Go to the episode page for more info, and don’t forget to click over to our Facebook, Twitter and newsletter pages for more ACL goodies. Next week: Tweedy.

 

Encore: Coldplay

photo by Scott Newton

This weekend we are excited to present a special episode featuring Coldplay.  Recorded in September 2012, the performance features the band debuting several new songs off their most recent release Mylo Xyloto, including “Paradise,” “Every Teardrop is a Waterfall” and “Hurts Like Heaven,” as well as old favorites like  “Viva La Vida.” Originally presented as a New Year’s Eve special to ring in 2012, this show has become a new favorite. The band gave us an extra-special performance, and we’re thrilled to bring it back to the airwaves.

photo by Scott Newton

You can see for yourself this Saturday – check the listings for your local  PBS station. You can also go here for biographical info, pictures and the setlist. Don’t forget to visit our Facebook and Twitter pages or sign up for our newsletter for more ACL goodies. Next week: our 40th season premiere, featuring Beck!