Wild Child brings upbeat energy to the ACL stage

When Austin City Limits first hit the air in the mid-70s, it was all about showcasing the burgeoning Austin music scene. So it always makes us happy to welcome another rising star from our own backyard. In support of this year’s fourth album Expectations, Wild Child hit our stage with youthful energy and an eclectic, genre-spanning performance, which we streamed live around the world.

Taking the stage to pre-recorded disco, the band went into “Fools,” a midtempo folk popper. Perpetually smiling singer/violinist Kelsey Wilson and cellist Sadie Wolfe brought their instruments forcefully to bear on “The Tale of You & Me,” a more rocking tune. Wilson and co-writer/singer/ukelele player Alexander Beggins brought their voices close on the playful “Alex,” before the tempo dropped and the emotion rose for the lush ballad “Eggshells.” Wilson welcomed a three-piece horn section and her singing younger sister Skylar to the stage for another ballad, the undulating “Rillo Talk.” The sibling harmony continued on the sweetly rolling “Break You Down” and the peppy “1996.” Beggins took the lead vocals for “Stitches,” a tune inspired by too much time away from home.

The band and the horn section quit the stage, leaving Wilson and Beggins by themselves onstage to duet on the sweet ‘n’ sour, asides-filled romance of “The One.” Beggins then moved to the piano for “Break Bones,” the best showcase yet for Wilson’s pretty voice. The rest of the duo’s compadres returned for “My Town” and “Follow Me,” more ballads for Wilson to make her own. “Take It” brought the energy level back up, and the funky “Back & Forth” rode the wave. The energized piano pop of “Crazy Bird” set the stage for the radio hit “Think It Over,” as sweet a tune as the airwaves can receive.  

The band stripped down to guitars and vocals for the harmony-laden, shimmering fan favorite “Sinking Ship.” Beggin switched from uke to guitar for the closing “Expectations,” a funky, melodic charmer that got the crowd roaring. The group quit the stage, but of course, that didn’t mean it was over. Wild Child returned to the stage for “Bad Girl,” a frisky folk/pop number dedicated to Wilson’s niece, who was in the house. It was a nicely upbeat way to end the show, which we can’t wait for you to see when it airs in our 44th season on your local PBS station.