Austin City Limits is pleased to announce our first taping of Season 43—with the legendary rock & roll band The Pretenders on March 13, 2017.
Led by singer/songwriter/guitarist Chrissie Hynde, The Pretenders come to ACL in support of latest album Alone. Recorded with the Black Keys’ Dan Auerbach at his Easy Eye Studio in Nashville, the album was initially conceived as the follow-up to Hynde’s acclaimed 2014 solo debut Stockholm. But as its songs and sonics took shape, the collection soon revealed itself as the first all-new Pretenders LP since 2008′s Break Up The Concrete. Backed by a team of what Hynde proudly calls “real people playing real instruments,” including most of Auerbach’s side band the Arcs, Akron natives Hynde and Auerbach made for ideal foils, two idiosyncratic songwriter/musicians possessing a deep knowledge and even deeper love of rock & roll.
Alone bears all the trademarks of The Pretenders’ legendary canon: raw and rollicking riffs, poignant balladry, taut hooks and indelible melodies – all in service of Hynde’s heartworn, ever-unsentimental songcraft. Nearly four decades on from the band’s epochal 1980 debut album, Hynde’s instantly identifiable voice is perhaps more emotional and aggressive than at any other time in her nearly 40-year career. That extra bit of edge only serves to add fire to new Pretenders classics like the brutally candid “I Hate Myself” and the defiant title track, a spiky rocker that sees Hynde extolling the joys and virtues of solitude. “At 65, she’s still mouthing off over brass-knuckled rock & roll,” notes Rolling Stone, “flexing command and carnality with no apology.”
Other highlights include “Roadie Man,” a softly sung paean to the hard working touring crew that has been kicking around Hynde’s unrecorded songbook for more than 25 years, the seductive “Let’s Get Lost,” and “Never Be Together,” featuring an inimitable contribution from legendary twang bar hero Duane Eddy. The UK’s The Independent asserts that Alone is “a fine album, subtly varied in both musical style and lyrical slant,” while Magnet declares it’s “as good a Pretenders record as has been made.” Armed with original drummer Martin Chambers, a new landmark and their catalog of undeniable classics, The Pretenders finally make their long-awaited ACL debut.